Walk Through Walls

Perhaps the most famous performance artist in the world, Marina Abramovic (nicknamed "The Grandmother of Performance Art") has led a unique, artistically groundbreaking, passion-filled life. In her first ever memoir, she examines her life through the powerful lens of the human spirit's ability to overcome fear and pain.

Zusatztext 67589431 Informationen zum Autor Raised in Yugoslavia, legendary performance artist Marina Abramovic now makes her primary residence in New York and in the Hudson Valley. Klappentext "I had experienced absolute freedom-I had felt that my body was without boundaries, limitless; that pain didn't matter, that nothing mattered at all-and it intoxicated me." In 2010, more than 750,000 people stood in line at Marina Abramovic's MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramovic is truly a force of nature. The child of Communist war-hero parents under Tito's regime in postwar Yugoslavia, she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career, Marina lived at home under her mother's abusive control, strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity, her desire to connect with people, or her distinctly Balkan sense of humor-all of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love story-a twelve-year collaboration with fellow performance artist Ulay, much of which was spent penniless in a van traveling across Europe-a relationship that began to unravel and came to a dramatic end atop the Great Wall of China. Marina's story, by turns moving, epic, and dryly funny, informs an incomparable artistic career that involves pushing her body past the limits of fear, pain, exhaustion, and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right, Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist. Zusammenfassung I had experienced absolute freedomI had felt that my body was without boundaries! limitless; that pain didn't matter! that nothing mattered at alland it intoxicated me. In 2010! more than 750!000 people stood in line at Marina Abramovic's MoMA retrospective for the chance to sit across from her and communicate with her nonverbally in an unprecedented durational performance that lasted more than 700 hours. This celebration of nearly fifty years of groundbreaking performance art demonstrated once again that Marina Abramovic is truly a force of nature. The child of Communist war-hero parents under Tito's regime in postwar Yugoslavia! she was raised with a relentless work ethic. Even as she was beginning to build an international artistic career! Marina lived at home under her mother's abusive control! strictly obeying a 10 p.m. curfew. But nothing could quell her insatiable curiosity! her desire to connect with people! or her distinctly Balkan sense of humorall of which informs her art and her life. The beating heart of Walk Through Walls is an operatic love storya twelve-year collaboration with fellow performance artist Ulay! much of which was spent penniless in a van traveling across Europea relationship that began to unravel and came to a dramatic end atop the Great Wall of China. Marina's story! by turns moving! epic! and dryly funny! informs an incomparable artistic career that involves pushing her body past the limits of fear! pain! exhaustion! and danger in an uncompromising quest for emotional and spiritual transformation. A remarkable work of performance in its own right! Walk Through Walls is a vivid and powerful rendering of the unparalleled life of an extraordinary artist. ...

"Candidly and vividly sharing her personal struggles as well as her artistic and spiritual discoveries, Abramovic presents a uniquely intense and affecting art memoir."—*Booklist, *starred review

“Enchanting and emotionally raw, Walk Through Walls is an honest, gripping, and profound look into the heart and brilliant mind of one of the quintessential artists of the postmodern era.”
—Publishers Weekly, starred review

“Marina has lived like an unstoppable force of nature, with the kind of power that leaves me feeling breathless and disquieted—while at the same time profoundly impressed, awed, and inspired. As I turn the pages of her book, I hear her voice in my head, as if she were actually narrating the words. When Marina speaks, it sounds as if you’re listening to a legendary folktale from the ancient landscapes of the Balkan Mountains. Her voice is soothing, calm, and centered. It belies the trauma, fear, and darkness coiled at the root of her impulse to express and expunge.” —Annie Lennox, *Vanity Fair

“In her new memoir, *Walk Through Walls, [Marina Abramović] exposes herself as provocatively and fearlessly in language as she has done for many years in her largely nonverbal performance art. Her page-turner of a narrative [is] at times shocking…genuinely moving, and always coruscatingly honest.” —*Elle

“*Walk Through Walls gives the impression that the phrase ‘real talk’ may have been coined solely for its author Marina Abramović. The provocative performance artist pulls no punches looking back over her rough childhood and prolific public career. But it’s not all dark recollections. There’s plenty of wry wit in her memoir as well, as she reveals insights into her various projects and processes.” *—BUST
 

• “Walk Through Walls testifies to larger struggles than those of a young, visionary performance artist in an object-oriented art world…It is hard not to read Abramović’s work as an unconscious enactment of upending patriarchal norms.” —Los Angeles Review of Books*

“Abramović may be the only superstar performance artist in the world at the moment, and…the book itself has the veneer of an ambitious performance piece, as Abramović exposes her deepest personal wounds and places them next to her artistic triumphs, in order to create a kind of epic mythology around her work. The author turns blank pages into a museum of the self, cutting herself open for the sake of the narrative. But in Abramović’s case, the performance feels even more extreme. She has actually bled for her life story, onto pristine gallery floors….This Marina is the most charming one, the voice that makes *Walk Through Walls propulsively readable.”*—New Republic

"[*Walk Through Walls] is really close to what it’s like to spend a weekend with her: Abramovic is funny, generous, and vituperative, a raconteur and comedian and the sometimes sad-sack hero of the epic tale of her mad life."—New York Magazine

“Marina’s role as an artist, she believes, with a hubris that can sound naïve and a humility that disarms any impulse to resent it, is to lead her spectators through an anxious passage to a place of release from whatever has confined them.” —Judith Thurman, The New Yorker

“Abramović’s story is thoroughly detailed, with brutally honest descriptions of her life and performance pieces, all providing deep insights into her work….an informative, eye-opening look at the larger world of art.”—Library Journal

"The memoir’s most powerful moments come when Abramović shares the most intimate details of …