Cinematic Landscape and Emerging Identities in Contemporary Latin American Film

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By María Soledad Paz-MacKay and Argelia González Hurtado - Contributions by Ana Cornide; Andy Leonel Barrientos-Gómez; Argelia González Hurtado; Bridget V. Franco; Amanda Holmes; Maybel Mesa Morales; Marcos Moscoso Garay; Tatiana Navallo; Sandra V. Navarr

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Cinematic Landscape and Emerging Identities in Contemporary Latin American Film offers a series of perspectives, produced from a diverse array of aesthetic and theoretical approaches, that build on previous studies about cinematic landscape and space while addressing it from a regional perspective. This book explores how contemporary Latin American filmmakers have included, created, or transformed different types of landscapes in their works. The chapters highlight the centrality of landscape as a meaningful space in film, composed in addition to the image, sound, and movement. The core of the edited collection revolves around films where landscape emerges as a crucial element to transmit the urgency of issues affecting diverse Latin American societies. The representation of emerging social actors, such as Indigenous groups, Afro-Latin Americans, LGBTQIA+ communities, migrants, environmentalists, and women, offers a localized view of sociocultural, political, and environmental challenges from marginalized and dissenting voices.