The Autobiographical Triangle

The book presents a universal theory of autobiography which has a "triangular" model. Three stances: witness, confession and challenge to the reader, are always present, though usually one is dominant. Polish autobiographical writing is seen in relation to European autobiographies and against the background of history.

Critical revised edition and translation by Jean Ward

This book presents a universal theory of autobiography, defined as a "triangular" form of utterance involving three different stances. It is a personal testimony to experiences lived through, a confession of intimate inner experience and a challenge addressed to the reader to engage in dialogue, enter into an argument or join in a game. The stances of witness, confession and challenge are always present, though usually one of them overshadows the other two. Polish memoirs, diaries and letters, as well as novels of a clearly personal character, are interpreted here in the context of the most important autobiographical texts of European literature. In the background, also, the historical events which have powerfully stamped Polish culture in the last two centuries are discreetly shown.

Auteur

Mägorzata Czermi ska is a Professor at the University of Gdäsk, Poland, and specialises in non-fiction, theory and history of autobiography, geopoetics and links between literature and visual art. She has lectured in Polish literature at the University of Michigan, Ann Arbor (USA) and Cambridge University (UK). Jean Ward is an Associate Professor of the University of Gdäsk, Poland.

Texte du rabat

Critical revised edition and translation by Jean Ward This book presents a universal theory of autobiography, defined as a "triangular" form of utterance involving three different stances. It is a personal testimony to experiences lived through, a confession of intimate inner experience and a challenge addressed to the reader to engage in dialogue, enter into an argument or join in a game. The stances of witness, confession and challenge are always present, though usually one of them overshadows the other two. Polish memoirs, diaries and letters, as well as novels of a clearly personal character, are interpreted here in the context of the most important autobiographical texts of European literature. In the background, also, the historical events which have powerfully stamped Polish culture in the last two centuries are discreetly shown.

Contenu

Three Autobiographical Stances: Witness, Confession, Challenge Autobiographical Places Topographic Imagination Home Polish Borderlands Spiritual Autobiography and Intertextuality Gombrowicz Miosz Konwicki Korczak Space and History Role of the reader Autobiographical Writing and Co-Humanism