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The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. It investigates three major aesthetic paradigms: Sankofan wave (late 1960s- early 1990s); Janusian wave (1990s-2020s); and the Offshoots of the New Arrivants.
Auteur
Lokangaka Losambe is the Frederick M. and Fannie C.P. Corse Professor of English at the University of Vermont. He previously taught African, African Diaspora, and English literatures at universities in Nigeria, the Democratic Republic of Congo, Swaziland, and South Africa. Dr. Losambe also served as the president of the African Literature Association (ALA) in 20122013.
Tanure Ojaide is the Frank Porter Graham Professor of Africana Studies at the UNC, Charlotte. He has published collections of poetry, novels, short stories, memoirs, and self-authored and co-authored scholarly books. Dr. Ojaide teaches and publishes on African Literature and Culture, the Folklore of Africa and the African Diaspora, and Globalization in African Poetry.
Texte du rabat
The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. It investigates three major aesthetic paradigms: Sankofan wave (late 1960s- early 1990s); Janusian wave (1990s-2020s); and the Offshoots of the New Arrivants.
Résumé
The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960searly 1990s); the Janusian wave (1990s2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa).
Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, Francophone, and Lusophone writers from different theoretical positionalities and critical approaches, pointing out the unique innovative artistic qualities of this major subgenre of African literature. The focus on the diasporic consciousness of the writers and their works sets this handbook apart from others that solely emphasize migration, which is more of a process than the community of settled African people involved in the dynamic acts of living reflected in diasporic writings.
This book will appeal to researchers and students from across the fields of Literature, Diaspora Studies, African Studies, Migration Studies, and Postcolonial Studies.
Contenu
List of Figures
List of Tables
List of Contributors
Introduction: Trends in the New African Diasporic Literature
Lokangaka Losambe and Tanure Ojaide
Part I: The Sankofan Wave (late 1960s early 1990s)
A. Anglophone Perspectives
Gchingiri Ndgrg
Simon Keith Lewis
Joya Uraizee
Dike Okoro
Uhuru Portia Phalafala
Kehinde Akano
Stefan Helgesson
Peter Blair
H. Oby Okolocha
Rosemary Gray
Wumi Raji
Saeedat Bolajoko Aliyu
Edoama Odueme
Olajumoke Verissimo
Mabel Evwierhoma
Maureen N. Eke
B. Francophone Perspectives
Anna-Leena Toivanen
Honoré Missihoun
Zaynab Ango
Kasongo Mulenda Kapanga
Part II: The Janusian Wave (1990s and 2020s)
A. Anglophone Perspectives
Joseph McLaren
Mathias Iroro Orhero
Effiok Bassey Uwatt
Daria Tunca
Enajite Ojaruega
Sarah E. Turner
Taylor Eggan
Juliana Makuchi Nfah-Abbenyi
Gilbert Shang Ndi
Martha Ndakalako
Nasseem Lallmahomed-Aumeerally
Ahmed Idrissi Alami
Lokangaka Losambe
B. Francophone Perspectives
Valérie K. Orlando
Augustine H. Asaah
Ylva Lindberg
Christine Grogan
Brian Valente-Quinn
Part III: Offshoots of the New Arrivants (Born and Growing in Diasporic Spaces)
A. Anglophone Perspectives
Kenneth Harrow