The Book of Elsewhere

The legendary Keanu Reeves and inimitable writer China Miéville team up on this genre-bending epic of ancient powers, modern war, and an outcast who cannot die.

Auteur

As a remarkably eclectic actor, Keanu Reeves has made an indelible mark on the world of entertainment through the diverse roles he has played. He is best known for his starring roles in The Matrix and John Wick franchises. Reeves made his comic book writing debut in 2021 with BRZRKR, a twelve-issue and graphic-novel limited series distributed through BOOM! Studios, which quickly became the highest-selling original comic book series debut in over twenty-five years. In 2023, he returned to the big screen in John Wick: Chapter 4, which became the highest-grossing film in the franchise. His other recent projects include The Matrix Resurrections, John Wick: Chapter 3 – Parabellum, Always Be My Maybe, Toy Story 4, and the video game Cyberpunk 2077. Raised in Toronto, Reeves performed in various local theater productions and on television before relocating to Los Angeles.
 
China Miéville is a New York Times bestselling author of fiction and nonfiction. His novels include The City & The City, Embassytown, and Perdido Street Station. A recipient of the Guggenheim Fellowship for Fiction, he has won the World Fantasy, the Hugo, and the Arthur C. Clarke Awards, among others. His nonfiction includes a study of international law and a history of the Russian Revolution.

Texte du rabat

"An epic from Keanu Reeves and China Miâeville, inspired by the world of the BRZRKR comic books"--

Résumé
*NEW YORK TIMES BESTSELLER • An “action-packed [and] profoundly stylish” (*Los Angeles Times) epic from Keanu Reeves and China Miéville, unlike anything these two genre-bending pioneers have created before, inspired by the world of the BRZRKR comic books

“[The Book of Elsewhere is] a pulpy, adrenaline-fueled thriller, but it’s also a moody, experimental novel about mortality, the slippery nature of time, and what it means to be human.”—The New York Times

“An exceptionally innovative collaboration from two remarkable minds.”—William Gibson, author of Neuromancer

She said, We needed a tool. So I asked the gods.

There have always been whispers. Legends. The warrior who cannot be killed. Who’s seen a thousand civilizations rise and fall. He has had many names: Unute, Child of Lightning, Death himself. These days, he’s known simply as “B.”

And he wants to be able to die.
 
In the present day, a U.S. black-ops group has promised him they can help with that. And all he needs to do is help them in return. But when an all-too-mortal soldier comes back to life, the impossible event ultimately points toward a force even more mysterious than B himself. One at least as strong. And one with a plan all its own.
 
In a collaboration that combines Miéville’s singular style and creativity with Reeves’s haunting and soul-stirring narrative, these two inimitable artists have created something utterly unique, sure to delight existing fans and to create scores of new ones.

Échantillon de lecture
Prologue

A room, full of violence to come. Then with the nasty white light of LEDs. Then a man came in and sat between the metal lockers. He took a machine from his pack and ran protocols on it. Alone awhile, he stared at its screen. His comrades followed him in at last.

The man kept on with his preparations. All the other soldiers had their own rituals.

Two laughed together at dirty jokes. Two more in quiet focused synchrony checked their weapons. Another, shirtless, brisk, dropped and clap-push-upped at his comrades’ feet. The leader of the night’s enterprise came. He examined a map with such close attention it was as if he had found it in a tomb. The first soldier continued running diagnostics on his scanner.

Someone entered ready already, bulked up in an insignia-less khaki jacket zipped up to his chin as if it were cold. No one paid him attention. But as he cast his eyes around the room they caught those of the man with the scanner and the two nodded at each other.

The door sounded, a final time. This time everyone looked up at who stood at the threshold.

A tall lean figure in unmarked dark clothes, looking at them from below a long fringe of black hair. He stood still in silhouette.

Alone among his comrades, the man with the scanner stole a glance at one of those who had been preparing his weapon, while that man, in turn, regarded the new arrival, as did all the others.

The dark-haired man entered and that stillness broke and everyone went back to how it had been. The first man raised his scanner again, checking on its workings, took in the whole room in its scrying screen. He let it linger for another moment over he at whom he’d sneaked a look, switching his machine’s registers, converting the soldiers into a landscape of colored contours.

In the corner the newcomer stood head down and alone. Someone approached him.

The man with the scanner frowned. It was not the unique vortex of darkness on the screen that made him hesitate: he had seen the dark-haired man so manifest many times before. It was the anomaly of he who approached him—the shorter soldier with his jacket done up tight. That jacket was white and opaque on the screen, as clothes should not be. It glowed. It was shielded.

“Hey,” the deployer of the scanner said at what he saw on-screen. “Ulafson?” He watched as the soldier in the jacket tentatively approached the Unit’s asset.

He was too far away to hear. He scrolled to an audio-capture setting to read the scanner’s AI approximation of what it discerned from lip motions and the faint fringes of sound waves, but it could not get a clear reading.

The tall man turned to look at Ulafson approaching him and whispered as if beseeching. Ulafson held out his arms and came in fast, suddenly. His target regarded him without emotion. In came the would-be embracer, mouthing something, looking as if he was crying, and the man with the scanner said, “Hey!” again, loud enough now that everyone turned, and they all shouted too, and they saw the soldier in the done-up jacket pull a pistol from its pocket, and he was sobbing, you could see it now, and he aimed his weapon not at the figure toward whom he stumbled but out at the room, at everyone who now watched.

“Stay back!” he shouted.

The tall man with black hair reached out with his palm flat against the oncomer’s chest, blocked his path. He did not punch, did not knock him down, just stopped him. The sad-faced target did not speak or move in any other way, only held the shorter man at arm’s length as he strained to close the last distance.

The jacketed man shoved and grunted as the other held him off, and with his free hand unzipped his coat and reached into some inside pocket and there came a click and a glint of metal.

“Weapon!” someone shouted, as if he were not already holding a weapon, aiming it at them, at those alongside whom he’d killed and almost died. “Ulafson, no!” came another voice.

Gunshots. Very loud. Ulafson spasmed as the soldier with the rifle, at whom his comrade had glanced, braced, firing short bursts, face aghast, sending fire into the upper chest and thighs, avoiding whatever it was for which he reached, and Ulafson cried out under the onslaught and dropped his pistol but stayed standing, somehow, still shoving, fumbling, as bullets tore through and into his own target, who kept his face impassive as blood bloomed from him.

But he twitched, and…