The Keelie Hawk

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English. Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: ''by making poems, a language develops'', Jamie observes in a fascinating afterword.>

Auteur

Kathleen Jamie was born in the west of Scotland in 1962. Her poetry collection The Tree House won both the Forward Prize and the Scottish Book of the Year Award. Mr and Mrs Scotland are Dead was shortlisted for the 2003 International Griffin Prize. Her most recent collection, The Overhaul, was shortlisted for the T. S. Eliot Prize 2012 and won the Costa Poetry Award 2012.

Kathleen Jamie’s non-fiction books include the highly regarded Findings and Sightlines. She is Chair of Creative Writing at Stirling University, and lives with her family in Fife.

Texte du rabat

A sensational collection of bilingual poems from the National Poet of Scotland.

Résumé

'Jamie's poetry offers a new way of seeing the world and a new form of intelligence about ourselves and other species' Kit Fan, Guardian

The Keelie Hawk is a landmark poetry collection from Kathleen Jamie, the former Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.

Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: 'by making poems, a language develops', Jamie observes in a fascinating afterword.