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This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change.LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 202122. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Texte du rabat
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change.
LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021-22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University.
Contenu
Cover Halftitle Contents Artistic Research in a World on Fire: Introduction to the Second Edition Lucy Cotter Making as Future Survival: A Dialogue with Cannupa Hanska Luger Sounding Out the Law: A Dialogue with Lawrence Abu Hamdan Healing as Becoming: A Dialogue with Yo-Yo Lin History as a Question: A Dialogue with Natasha Ginwala Fact as Fiction: A Dialogue with Rabih Mroué Embodied Knowledge: A Dialogue with Grada Kilomba Language as Film: A Dialogue with Sky Hopinka Making as Translation: A Dialogue with Christian Nyampeta Art as Non-Knowledge: A Dialogue with Sarat Maharaj Performance as Philosophy: A Dialogue with Manuela Infante Seeing as Unknowing: A Dialogue with Richard Mosse Sound as Knowledge: A Dialogue with Samson Young Rehearsal as a Mode of Being: A Dialogue with Katarina Zdjelar Beyond Language: A Dialogue with Falke Pisano Becoming the Archive: A Dialogue with Euridice Zaituna Kala Knowledge as Production: A Dialogue with Liam Gillick The Malleability of Space and Time: A Dialogue with Mario García Torres Research as Play: A Dialogue with Ryan Gander Between the Virtual and the Real: A Dialogue with Yuri Pattison Worlding Matter: A Dialogue with Carolyn Christov-Bakargiev Future Ecologies: A Dialogue with Em'kal Eyongakpa Writing as Experiment: A Dialogue with Sher Doruff The Future of Institutions: A Dialogue with Sarah Rifky Technology as Care: A Dialogue with Stephanie Dinkins Reclaiming Artistic Research: Introduction to the First Edition Lucy Cotter Acknowledgments Biographies Colophon