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Zusatztext Because of his experiences as a physician and researcher, Dr. Deisseroth recognizes the limitations of science and medicine and the transcendent value of elemental human connection. . . . In life's most difficult moments, it might be everything. The Wall Street Journal Deisseroth achieves the difficult feat of moving and enlightening the reader at the same time. The Guardian [Karl Deisseroth's] imaginative narrative flows effortlessly. . . . There is a first love of reading and writing and hints of a literary imagination that draws on James Joyce and Toni Morrison. . . . His narratives are always sensitive. . . . An admixture of fact and fiction, reality and imagination, damage and desire. Science Poetic, mind-stretching, and through it all, deeply human. Daniel Levitin, New York Times bestselling author of The Organized Mind Karl Deisseroth intertwines neuroscience and human stories in a way that is altogether new: technical, lyrical, and deeply compassionate all at once.This is a crucial book for anyone who loves science, anyone who loves someone who is suffering from a disorder of the brain, or anyone who, like so many of us, loves both. Lucy Kalanithi Projections asks probing questions about some of our most fundamental human traits to shed light on the origins of our emotions. Why, for instance, do we shed tears? How did this show of weakness survive millennia of evolution? Deisseroth writes of heartbreaking and desperate medical cases with a doctor's knowledge and a novelist's skill for narrative. I was fascinated, and could not put this book down. May-Britt Moser, Nobel Laureate We are living during a revolution in our understanding of the human brain, and Karl Deisseroth has been at the forefront of these advances. This magisterial work, Projections , shows that not only is he one of our leading scientists, but also a gifted writer and storyteller. With precise yet luminous prose, he merges stories of cutting-edge neuroscience with a deep reverence for his patients' humanity. Neil Shubin, author of Some Assembly Required Unique and utterly riveting . . . This is a masterpiece written for each and every one of us. Patricia Churchland, author of Conscience I've known Karl as a colleague, a scientist whose discoveries in the lab have been breathtaking and revolutionary. Maybe I shouldn't be surprised to discover he's also a stunning writer . . . Projections is a tour de force. Abraham Verghese, author of Cutting for Stone An engaging, accessible blend of psychology and science, which sets itself apart with Deisseroth's lyrical writing and the empathy of his storytelling. Library Journal (starred review) Informationen zum Autor Karl Deisseroth Klappentext A groundbreaking tour of the human mind that illuminates the biological nature of our inner worlds and emotions, through gripping, movingand, at times, harrowingclinical stories [A] scintillating and moving analysis of the human brain and emotions. Nature Beautifully connects the inner feelings within all human beings to deep insights from modern psychiatry and neuroscience.Robert Lefkowitz, Nobel Laureate Karl Deisseroth has spent his life pursuing truths about the human mind, both as a renowned clinical psychiatrist and as a researcher creating and developing the revolutionary field of optogenetics, which uses light to help decipher the brain's workings. In Projections, he combines his knowledge of the brain's inner circuitry with a deep empathy for his patients to examine what mental illness reveals about the human mind and the origin of human feelingshow the broken can illuminate the unbroken. Through cutting...
Auteur
Karl Deisseroth
Texte du rabat
A groundbreaking tour of the human mind that illuminates the biological nature of our inner worlds and emotions, through gripping, moving-and, at times, harrowing-clinical stories
"[A] scintillating and moving analysis of the human brain and emotions."-Nature
"Beautifully connects the inner feelings within all human beings to deep insights from modern psychiatry and neuroscience."-Robert Lefkowitz, Nobel Laureate
Karl Deisseroth has spent his life pursuing truths about the human mind, both as a renowned clinical psychiatrist and as a researcher creating and developing the revolutionary field of optogenetics, which uses light to help decipher the brain's workings. In Projections, he combines his knowledge of the brain's inner circuitry with a deep empathy for his patients to examine what mental illness reveals about the human mind and the origin of human feelings-how the broken can illuminate the unbroken.
Through cutting-edge research and gripping case studies from Deisseroth's own patients, Projections tells a larger story about the material origins of human emotion, bridging the gap between the ancient circuits of our brain and the poignant moments of suffering in our daily lives. The stories of Deisseroth's patients are rich with humanity and shine an unprecedented light on the self-and the ways in which it can break down. A young woman with an eating disorder reveals how the mind can rebel against the brain's most primitive drives of hunger and thirst; an older man, smothered into silence by depression and dementia, shows how humans evolved to feel not only joy but also its absence; and a lonely Uighur woman far from her homeland teaches both the importance-and challenges-of deep social bonds.
Illuminating, literary, and essential, Projections is a revelatory, immensely powerful work. It transforms our understanding not only of the brain but of ourselves as social beings-giving vivid illustrations through science and resonant human stories of our yearning for connection and meaning.
Échantillon de lecture
**Chapter 5
The Faraday Cage
Hegel made famous his aphorism that all the rational is real and all the real rational; but there are many of us who, unconvinced by Hegel, continue to believe that the real, the really real, is irrational, that reason builds upon irrationalities. Hegel, a great framer of definitions, attempted with definitions to reconstruct the universe, like that artillery sergeant who said that cannon were made by taking a hole and enclosing it with steel. —Miguel de Unamuno, Del sentimiento trágico de la vida, translated by J. E. Crawford Flitch
 
The new thoughts came with all the surety of a change in season, in a gathering together of signs. Like the air of early fall, the first few weeks seemed to bring a shift in pressure in her mind, with a hint of wind revealing itself—a shimmering of her highest leaves, a rustling in the neural canopy.
 
She could feel the change in her skin as well, a subtle tingle, a chill of early fall. The sensation stirred a memory from a dozen years ago: Wisconsin in September, with her brothers AJ and Nelson, chasing Canada geese along the lakeside. Winnie had been seventeen after that summer of lymphoma chemo. Nothing had ever felt so charged as her return to the outdoors that fall after methotrexate—all around her and within her, even to her lungs, and to her brain, a mist of the season had seemed infused, clear and crystalline. In remission they had said, a likely cure, and they were right.
 
But this time, with the rustling of the leaves, unsettling intimations had come, borne high and kitelike on the same ghost wind—and there was a feeling of openness, of vulnerability, that was not entirely positive. She abruptly decided to take a month off, which was unprecedented for someone with her caseload. The team muttered, including her supervisor, but Winnie had built serious credibility, even a kind of  celebrity, winning allowance after allowance, constructing patent estates from chaos—wielding her mind like a weapon trained in both law and engineering, unique in its ability to grapple with interlocking artific…