When Church Became Theatre

Zusatztext "This is a very significant book for at least three disciplines: architectural history, church history, and liturgical studies....Kilde shows how changing concepts about the function of worship produced major changes in the design of church buildings, a process which has continued to the present. In so doing, she explains much of the ecclesiastical landscape of America."--James F. White, Drew University Informationen zum Autor Jeanne Halgren Kilde holds a Ph.D. in American Studies from the University of Minnesota. She is currently Visiting Assistant Professor of Religious Studies at Macalester College, and Co-director of Macalester's Lilly Project for Work, Ethics, and Vocation. Klappentext For nearly eighteen centuries, two fundamental spatial plans dominated Christian architecture: the basilica and the central plan. In the 1880s, however, profound socio-economic and technological changes in the United States contributed to the rejection of these traditions and the developmentof a radically new worship building, the auditorium church. When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to changes in worship style and religious mission. The auditorium style, featuring a prominent stage from which rows of pews radiated up a sloping floor, was derived directly from the theatre, an unusual source for religious architecture but one with a similar goal-to gather large groups within range of a speaker's voice. Theatrical elements wereprominent; many featured proscenium arches, marquee lighting, theatre seats, and even opera boxes. Examining these churches and the discussions surrounding their development, Jeanne Halgren Kilde focuses on how these buildings helped congregations negotiate supernatural, social, and personal power. These worship spaces underscored performative and entertainment aspects of the service and in sodoing transformed relationships between clergy and audiences. In auditorium churches, the congregants' personal and social power derived as much from consumerism as from piety, and clerical power lay in dramatic expertise rather than connections to social institutions. By erecting these buildings, argues Kilde, middle class religious audiences demonstrated the move toward a consumer-oriented model of religious participation that gave them unprecedented influence over the worshipexperience and church mission. "Kilde's careful and thorough research in published and unpublished congregational denomnational, and architectural records successfully engages architectural history, religious studies, and social and cultural history, and this book will be beneficial to scholars in many disciplines."--The Journalof Religion "Jeanne Halgren Kilde's impressive new book is a Rosetta stone for an undervalued genre of American ecclesiastical architecture. Kilde's work adds complexity to our understanding of both American religious architecture and American religious history."--Journal of the Society of ArchitecturalHistorians "This is a very significant book for at least three disciplines: architectural history, church history, and liturgical studies....Kilde shows how changing concepts about the function of worship produced major changes in the design of church buildings, a process which has continued to the present. In so doing, she explains much of the ecclesiastical landscape of America."--James F. White, Drew University "This original and impressive book demonstrates how relevant the history of religious architecture can be for the study of American history. Jeanne Kilde's careful attention to the lived religion of worship spaces as well as to the cultural politics of space greatly advances the understanding of church architecture in the nineteenth century."--David Morgan, Valparaiso University "Jeanne Kilde's study of auditorium churches is a major contribution to the growing literature on 'reading' re...

Auteur
Jeanne Halgren Kilde holds a Ph.D. in American Studies from the University of Minnesota. She is currently Visiting Assistant Professor of Religious Studies at Macalester College, and Co-director of Macalester's Lilly Project for Work, Ethics, and Vocation.

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For nearly eighteen centuries, two fundamental spatial plans dominated Christian architecture: the basilica and the central plan. In the 1880s, however, profound socio-economic and technological changes in the United States contributed to the rejection of these traditions and the development
of a radically new worship building, the auditorium church. When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to changes in worship style and religious mission.
The auditorium style, featuring a prominent stage from which rows of pews radiated up a sloping floor, was derived directly from the theatre, an unusual source for religious architecture but one with a similar goal-to gather large groups within range of a speaker's voice. Theatrical elements were
prominent; many featured proscenium arches, marquee lighting, theatre seats, and even opera boxes.
Examining these churches and the discussions surrounding their development, Jeanne Halgren Kilde focuses on how these buildings helped congregations negotiate supernatural, social, and personal power. These worship spaces underscored performative and entertainment aspects of the service and in so
doing transformed relationships between clergy and audiences. In auditorium churches, the congregants' personal and social power derived as much from consumerism as from piety, and clerical power lay in dramatic expertise rather than connections to social institutions. By erecting these buildings,
argues Kilde, middle class religious audiences demonstrated the move toward a consumer-oriented model of religious participation that gave them unprecedented influence over the worshipexperience and church mission.

Résumé
In the 1880s, profound socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of a radically new worship building, the auditorium church. When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to changes in worship style and religious mission.