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This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen's and Shakespeare's biographies to their presence in the modern vampire saga Twilight , passing by Shakespearean echoes in Austen's novels and the authors' afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition Will & Jane at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing love affair between William Shakespeare and Jane Austenover 200 years and counting.
Incorporates new research into previously unconsidered links between Austen and Shakespeare of particular interest to students of both authors Illustrates Shakespeare's influence on Austen Highlights differences in the cultural positions of Austen and Shakespeare to more deeply consider how this impacts reception
Auteur
Marina Cano is Teaching Fellow in English at the University of Limerick, Ireland. She is the author of Jane Austen and Performance (Palgrave, 2017). Her research interests include women's writing, the long nineteenth-century, performance and gender theory.
Rosa García-Periago is Lecturer at the University of Murcia, Spain. She is currently on leave as Research Fellow at Queen's University Belfast with a Marie Curie Individual Fellowship awarded by the EU. Her research interests include Jane Austen, Shakespeare and Bollywood and adaptation in Indian Cinema.
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