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CHF187.20
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Auteur
Jacopo Castaldi is a Senior Lecturer in the Centre for Language and Linguistics at Canterbury Christ Church University, UK.
Texte du rabat
This book examines how sociopolitical and intercultural ideologies surrounding globalization and neoliberalism are constructed and negotiated in travel documentaries, focusing on the BBC's role in reproducing neo-imperialistic and neoliberal values.
Contenu
Contents
List of Figures
List of Tables
Appendices
Acknowledgements
1.1. Setting the stage: neoliberalism, globalisation and international exploitation
1.2. Media discourse and hegemony
1.3. Ideology and manipulation
1.4. A cognitive approach to Multimodal Critical Discourse Analysis
1.4.1. Multimodal Critical Discourse Analysis
1.4.2. Text interpretation and reception studies
1.4.3. Relevance Theory, cognition and media effects
1.5. Aims, data and method
1.5.1. Participant data
1.5.2. Text data
1.6. Organisation of the book
2.1. Mass media communication
2.2. Media ownership in the U.K.
2.2.1. State owned media: the BBC
2.2.2. Private media ownership
2.3. Control within the neoliberal paradigm
2.4. Neoliberalism
2.5. Critical Studies of the BBC
2.6. Conclusion
3.1. A Critical Realist approach to the study of media effects
3.2. Gramsci, civil societies and hegemony
3.3. Manipulation, epistemic vigilance and media effects
3.4. Ideology building through media discourse: a cognitive multimodal approach
3.4.1. Multimodality and representation
3.4.2. Multimodal analysis of film
3.4.3. Multimodality, cognition and the filmic text
3.4.4. Relevance Theory and ideology building
3.5. Conclusion
4.1. Contextual information about the participant and the text
4.1.1. The participant
4.1.2. The text
4.2. The media interaction
4.2.1. Epistemic vigilance towards the source
4.2.2. Epistemic vigilance towards the content
4.3. Multimodal critical discourse analysis of actors, places and events
4.3.1. The Rohingya
4.3.2. The ARSA militants
4.3.3. The military
4.3.4. Aung San Suu Kyi
4.3.5. The international community
4.3.6. The MaBaTha monks
4.3.7. The Burmese people
4.3.8. Critical observations
4.4. Cognitive analysis
4.5. Conclusion
5.1. Contextual information about the participant and the text
5.1.1. The participant
5.1.2. The text
5.2. The media interaction
5.2.1. Epistemic vigilance towards the source
5.2.2. Epistemic vigilance towards the content
5.3. Multimodal critical discourse analysis of actors, places and events
5.3.1. Thematic level 1: the musicians, traditional Malian instruments, music and Malian society
5.3.2. Thematic level 2: the role of Griots in Malian society, politics, feminism
5.4. Cognitive analysis
5.5. Conclusion
6.1. Contextual information about the participant and the text
6.1.1. The participant
6.1.2. The text
6.2. The media interaction
6.2.1. Epistemic vigilance towards the source
6.2.2. Epistemic vigilance towards the content
6.3. Multimodal critical discourse analysis of actors, places and events
6.3.1. Part 2
6.3.2. Part 3
6.3.3. Part 4
6.3.4. Part 5
6.3.5. Part 6
6.3.6. Part 7
6.3.7. Part 8
6.4. Cognitive analysis
6.5. Conclusion
7.1. Audience research and agency
7.2. Evidential effects and contextual filters
7.3. Ideological effects
7.3.1. Modifying ideological effects
7.3.2. Improving ideological effects
7.4. Multimodal manipulation of the epistemic vigilance towards the source
7.4.1. The text producers
7.4.2. The hosts and the experts
7.5. Multimodal manipulation of the epistemic vigilance towards the conent
7.5.1. Constraints on context selection
7.5.2. Constraints on the emotional response
7.6. Critical considerations and conclusions
8.1. Summary of findings
8.2. Methodological reflections and implications
8.3. Theoretical reflections and implications
8.4. Direction for further research
8.5. Conclusion
Index