Prix bas
CHF144.80
Habituellement expédié sous 2 à 4 semaines.
Informationen zum Autor J. Daniel Jenkins is Associate Professor of Music Theory at the University of South Carolina. His research focuses on music of the twentieth century, with particular emphasis on Arnold Schoenberg and Elliott Carter. Klappentext Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes. Zusammenfassung Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes. Inhaltsverzeichnis About the Companion Website Preface Acknowledgements Abbreviations Note on Texts and Translations Introduction I. On Development and Influences 1.1. Who Am I?/My Evolution (Retrospective/Looking Back), November 29, 1949 1.2. My Models, June 6, 1928 1.3. A Self-Analysis (Maturity), March 3, 1948 1.4. Schoenberg Looks Backward--and Ahead, September 26, 1948 II. On the Radio 2.1. Discussion over Radio Berlin with Preußner and Strobel, March 30, 1931 2.2. First American Radio Broadcast, November 19, 1933 2.3. Interview with Max van Leuven Swarthout, Fall 1935 2.4. Radio Interview with Raoul Gripenwaldt, July 7, 1948 2.5. To the Birthday of Broadcasts of Contemporary Music, September 12, 1948 2.6. For the Broadcast, August 22, 1949 2.7. For My Broadcast, August 23, 1949 III. On Modern Music 3.1. Polytonalists [I], April 21, 1923, and Polytonalists [II], November 29, 1923 3.2. Notes for an Essay Entitled, "The Contemporary Situation in Music," 1929 3.3. What Have People to Expect from Music? November 7, 1935 3.4. Teaching and Modern Trends, June 30, 1938 3.5. Advice for Beginners in Composition with Twelve Tones, 1951 3.6. This is Probably the Solution to the Problem, Undated IV. On Compositions: 1898-1907 4.1. Polytonality in My Works, December 12, 1924 4.2. Arnold Schoenberg Writes the Following about Himself and His String Quartet[sic], October 21, 1902 4.3. Program Notes to the Second Arnold Schoenberg Evening (Chamber Music in Large Halls), June 3, 1919 4.4. Excerpt from the Harmonielehre about Ninth Chords in Inversion, 1922 4.5. Constructives in Verklärte Nacht, 1932 4.6. Letter to Bruno Walter, December 23, 1943 4.7. Liner Notes for the Capitol Records Release of Verklärte Nacht, August 26, 1950 4.8. Symphonic Introductory Music to Pelleas und Melisande by Maeterlinck, perhaps 1902 4.9. Proposed Program of Pelleas und Melisande, 1902-3 4.10. Letter to Alexander von Zemlinsky, February 20, 1918 4.11. Excerpts from the Harmonielehre about Whole-Tone Chords and Chords in Fourths (1922) 4.12. Keywords for a "Free " Lecture in Boston with the Aid of Slonimsky, January 4, 1934 4.13. Liner Notes for the Capitol Records Release of Pelleas und Melisande, 1949 4.14. Foreword to a Broadcast of the Capitol Recording of Pelleas und Melisande, February 17, 1950 4.15. Analysis of op. 6, no. 7, 1948 4.16. Schoenberg's "Private Program" for the First String Quartet, 1904 4.17. Analysis of the First String Quartet, 1907 4.18. Cues for a Lecture on the First String Quartet at the University of Southern California, c. 1935 4.19. Excerpts from The Musical Idea and the Logic, Technique, and Art of Its Presentation, 1934-36 4.20. Liner Notes for the Dial Records Release of the First Chamber Symphony, 1949 4.21. Rigoletto and Kammersymphonie, An Analysis, Undated
Auteur
J. Daniel Jenkins is Associate Professor of Music Theory at the University of South Carolina. His research focuses on music of the twentieth century, with particular emphasis on Arnold Schoenberg and Elliott Carter.
Texte du rabat
Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes.
Résumé
Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes.
Contenu
About the Companion Website
Preface
Acknowledgements
Abbreviations
Note on Texts and Translations
Introduction
I. On Development and Influences
1.1. Who Am I?/My Evolution (Retrospective/Looking Back), November 29, 1949
1.2. My Models, June 6, 1928
1.3. A Self-Analysis (Maturity), March 3, 1948
1.4. Schoenberg Looks Backward--and Ahead, September 26, 1948
II. On the Radio
2.1. Discussion over Radio Berlin with Preußner and Strobel, March 30, 1931
2.2. First American Radio Broadcast, November 19, 1933
2.3. Interview with Max van Leuven Swarthout, Fall 1935
2.4. Radio Interview with Raoul Gripenwaldt, July 7, 1948
2.5. To the Birthday of Broadcasts of Contemporary Music, September 12, 1948
2.6. For the Broadcast, August 22, 1949
2.7. For My Broadcast, August 23, 1949
III. On Modern Music
3.1. Polytonalists [I], April 21, 1923, and Polytonalists [II], November 29, 1923
3.2. Notes for an Essay Entitled, "The Contemporary Situation in Music," 1929
3.3. What Have People to Expect from Music? November 7, 1935
3.4. Teaching and Modern Trends, June 30, 1938
3.5. Advice for Beginners in Composition with Twelve Tones, 1951
3.6. This is Probably the Solution to the Problem, Undated
IV. On Compositions: 1898-1907
4.1. Polytonality in My Works, December 12, 1924
4.2. Arnold Schoenberg Writes the Following about Himself and His String Quartet[sic], October 21, 1902
4.3. Program Notes to the Second Arnold Schoenberg Evening (Chamber Music in Large Halls), June 3, 1919
4.4. Excerpt from the Harmonielehre about Ninth Chords in Inversion, 1922
4.5. Constructives in Verklärte Nacht, 1932
4.6. Letter to Bruno Walter, December 23, 1943
4.7. Liner Notes for the Capitol Records Release of Verklärte Nacht, August 26, 1950
4.8. Symphonic Introductory Music to Pelleas und Melisande by Maeterlinck, perhaps 1902
4.9. Proposed Program of Pelleas und Melisande, 1902-3
4.10. Letter to Alexander von Zemlinsky, February 20, 1918
4.11. Excerpts from the Harmonielehre about Whole-Tone Chords and Chords in Fourths (1922)
4.12. Keywords for a "Free " Lecture in Boston with the Aid of Slonimsky, January 4, 1934
4.13. Liner Notes for the Capitol Records Release of Pelleas und Melisande, 1949
4.14. Foreword to a Broadcast of the Capitol Recording of Pelleas und Melisande, February 17, 1950
4.15. Analysis of op. 6, no. 7, 1948
4.16. Schoenberg's "Private Program" for the First String Quartet, 1904
4.17. Analysis of the First String Quartet, 1907
4.18. Cues for a Lecture on the First String Quartet at the University of Southern California, c. 1935
4.19. Excerpts from The Musical Idea and the Logic, Technique, and Art of Its Presentation, 1934-36
4.20. Liner Notes for the Dial Records Release of the First Chamber Symphony, 1949
4.21. Rigoletto and Kammersymphonie, An Analysis, Undated
4.22. C…