A Ransomed Dissident

In 1939, a ten-year-old Igor Golomstock accompanied his mother, a medical doctor, to the vast network of labour camps in the Russian Far East. While she tended patients, he was minded by assorted 'trusty' prisoners - hardened criminals - and returned to Moscow an almost feral adolescent, fluent in obscene prison jargon but intellectually ignorant. Despite this dubious start he became a leading art historian and co-author (with his close friend Andrey Sinyavsky) of the first, deeply controversial, monograph on Picasso published in the Soviet Union. His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement. In 1972 he was given 'permission' to leave the Soviet Union, but only after paying a 'ransom' of more than 25 years' salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. Nominated for the Russian Booker Prize on its publication in Russian in 2014, The nsomed Dissident opens a window onto the life of a remarkable man: a dissident of uncompromising moral integrity and with an outstanding gift for friendship.

'A Ransomed Dissident is Igor Golomstock's most personal book and a perfect companion to his encyclopedic study Totalitarian Art (2012). In the past, some critics have argued that the term 'Totalitarian Art' was too vague and that its very vagueness made it too easy to apply the term to such different countries as Russia, Germany, Italy and China. Following Golomstock's dramatic journey through the circles of the Soviet totalitarian art and culture, however, readers of A Ransomed Dissident will see how the supposedly vague term acquired a very real existential meaning. This is important reading for anyone with an interest in the history and politics of Russian art.'

Préface
The extraordinary story of the man who introduced Western art into Soviet Russia.

Auteur

Igor Golomstock

Contenu

List of Illustrations
Translator's Note
Acknowledgements
Turning Point
Part I. Russia

1. My Father's Arrest
2. Kolyma
3. Moscow
4. Finances and Romances
5. The Pushkin Museum of Fine Arts
   Comrade Novikov
   Abram Efros and Andre Gide
   The Museum of New Western Art
6. The International Festival and Artists
7. The Sinyavskys, Khlebny Lane, the Far North
8. Dancing Around Picasso
9. The Museum Again
10. VNIITE
11. Great Expectations
12. The Sinyavsky-Daniel Trial
13. Dissidents
14. Pen Portraits of My Friends
15. Questions of Faith
16. A Waiting Game
17. Departure: An Obstacle Race
    Part II. Emigration
    Translator's Note to Part II
18. The Journal Kontinent
19. The Anthony Blunt Affair
20. Radio Liberty, Galich
21. At the BBC
22. The Second Trial of Andrey Sinyavsky
23. Politics versus Aesthetics
24. Sinyavsky's Last Years
25. Perestroika
26. Family Matters
    Instead of a Conclusion The Benefits of Pessimism
    Afterword
    Notes
    Dramatis Personae
    Appendix I
    Appendix II
    Select Bibliography
    Index