Icons - Texts - Iconotexts

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Contenu
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l'écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard's Coresus and Callirhoe -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l'image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: The Escapades of Death -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen's Novels -- Appropriating Botticelli: English Approaches 18601890 -- Entering the Museum of Words: Browning's My Last Duchess and Twentieth-Century Ekphrasis -- Oscar Wilde's Impression du matin an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray's Caricature -- The Battle of the Signs: Robert Crumb's Visual Reading of James Boswell's London Journal -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420