Global Art Markets

Auteur

Iain Robertson is Professor of Art and Cultural Management at Hongik University, South Korea.

Derrick Chong is Senior Lecturer in Business and Management at Royal Holloway, University of London, UK.

Luís U. Afonso is Senior Associate Professor of Art History at the School of Arts and Humanities of the University of Lisbon, Portugal.

Texte du rabat

The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes.

Contenu

1. Introduction to Global Art Markets Iain Robertson, Derrick Chong, Luís U. Afonso Part I. History of art markets
   2. World trade and artistic exchanges in early globalization: Lisbon c.1500 Luís U. Afonso
      3. A mass market for the visual arts: the golden age of Dutch painting during the seventeenth century Filip Vermeylen
         4. The French provinces in the eighteenth century: a desert for the art market? Sophie Raux
            5. Collecting patterns for Chinese art: 1600-1935 Nick Pearce
               6. Dealer networks: the global market for Impressionism and Post-Impressionism from 1870 until 1930 Frances Fowle
                  7. When the dealer shapes demand: Stefano Bardini, master influencer Lynn Catterson
                     8. Regulating the wartime Dutch art market Jeroen Euwe Part II. New geographies and challenges facing art markets
                        9. Caribbean contemporary art: from (neo)colonial outpost to creative eco/system Carlos Garrido Castellano
                           10. Heirs of the feathered serpent: the emergence of indigenous contemporary art in Brazil René Lommez Gomes
                               11. Western auction houses' global expansion Natasha Degen
                                   12. Singapore's aspirations to be a global art market hub Anita Archer
                                       13. How do emerging artists enter the art market? A view from France Jérôme Glicenstein
                                           14. Collecting contemporary art in Russia Marina Maximova
                                               15. The art market out of sight John Zarobell Part III. Digitalization and financialization of art markets
                                                   16. Web3 and the global art market: smokescreens and opportunities Nicolas Galley
                                                       17. Art market innovation Loizos Petrides
                                                           18. Platformisation and transparency in the global art market Marios Samdanis
                                                               19. NFTs (non-fungible tokens) and the emergence of a new category in Sotheby's and Christie's global auction market Marta Herrero & Georgia Gerson
                                                                   20. Disruptive innovation or innovation delusion? Impact of NFTs on the Korean art market Minha Lee & Woongjo Chang
                                                                       21. Digital art and value creation: exploring art market dynamics Melanie Fasche *22. On returns and risks in art auction markets *Yuexin Li & Luc Renneboog
                                                                           23. Art as an asset class and as a component of a financial portfolio Kim Oosterlinck