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Informationen zum Autor Holly Jackson is the author of the #1 New York Times bestselling series A Good Girl's Guide to Murder, an international sensation with millions of copies sold worldwide as well as the #1 New York Times bestseller and instant classic, Five Survive, and her forthcoming novel, The Reappearance of Rachel Price. She graduated from the University of Nottingham, where she studied literary linguistics and creative writing, with a master's degree in English. She enjoys playing video games and watching true-crime documentaries so she can pretend to be a detective. She lives in London. Klappentext When her mother, who disappeared 16 years before, reappears while a true crime documentary about her case is being filmed, 18-year-old Bel, not buying her mom's unbelievable story about what happened to her, must uncover the real reason Rachel Price is back from the dead. Leseprobe ONE What do you think happened to your mother? The word sounded wrong to Bel when he said it. Mother. Unnatural. Not quite as bad as Mom. That one pushed between her lips, misshapen and mad, like a bloated slug finally breaking free, splatting there on the floor for everyone to stare at. Because everyone would, everyone always did. The word didn't belong in her mouth, so Bel didn't say it, not if she could help it. At least there was a coldness to mother, a sense of distance. It's OK, please take your time, Ramsey said, the vowels clipped and exposed. Bel looked across at him, avoiding the camera. Lines of concern crisscrossed his black skin, pulling around his eyes as they fixed on Bel's, because she was already taking her time, too much, more than she had in the pre-interviews the past few days. He reached up to scratch his temple, right where his dark coiled hair faded out above his ears. Ramsey Lee: filmmaker, director, from South London a whole world away, and yet here he was in Gorham, New Hampshire, sitting across from her. Ramsey cleared his throat. Um . . . , Bel began, choking on that slug. I don't know. Ramsey sat back, his chair creaking, and Bel knew from the flicker of disappointment in his face that she was doing a bad job. Worse. It must have been the camera. The camera changed things, the permanence of it. One day thousands of people would watch this, separated from her only by the glass of their television screens. They would analyze every word she said, every pause she took, and have something to say about it. They'd study her face: her warm white skin and the flush of her cheeks, her sharp chin that sharpened more when she spoke and especially when she smiled, her short honey-blond hair, her round gray-blue eyes. Doesn't she look just like Rachel did, they'd say, those people beyond the television screen. Bel thought she looked more like her dad, actually. Thanks, though. Sorry, Bel added, pressing her eyelids together, bright orange patches where the three softbox lights glared at her. She just had to get through this documentary, pretend to not be hating every second, talk about Rachel, then life could go back to normal, back to not talking about Rachel. Ramsey shook his head, a smile breaking through. Don't worry, he said. It's a difficult question. It wasn't, though, not really. And the answer wasn't difficult either. Bel really didn't know what had happened to her. No one did. That was the point of all this. I think she was Someone stumbled behind the camera, tripping on a cable that ripped out of the wall. One of the lights flickered and died, swaying on its rickety leg. A hand reached out to grab it before it fell, righting it. Oh shit. Sorry, Rams, the tripper said, chasing the loose wire back to the outlet. Now that the light was out, Bel could see him properly for the first time. She cou...
Auteur
Holly Jackson is the author of the #1 New York Times bestselling series A Good Girl’s Guide to Murder, an international sensation with millions of copies sold worldwide as well as the #1 New York Times bestseller and instant classic, Five Survive, and her forthcoming novel, The Reappearance of Rachel Price. She graduated from the University of Nottingham, where she studied literary linguistics and creative writing, with a master’s degree in English. She enjoys playing video games and watching true-crime documentaries so she can pretend to be a detective. She lives in London.
Texte du rabat
#1 NEW YORK TIMES BESTSELLER • From the author of the multimillion-copy bestselling A Good Girl’s Guide to Murder series and Five Survive comes a gripping mystery thriller following one teen’s search for the truth about her mother’s shocking disappearance—and even more shocking reappearance—during the filming of a true crime documentary.
*Lights. Camera. Lies.   
Échantillon de lecture
ONE
“What do you think happened to your mother?”
The word sounded wrong to Bel when he said it. Mother. Unnatural. Not quite as bad as Mom. That one pushed between her lips, misshapen and mad, like a bloated slug finally breaking free, splatting there on the floor for everyone to stare at. Because everyone would, everyone always did. The word didn’t belong in her mouth, so Bel didn’t say it, not if she could help it. At least there was a coldness to mother, a sense of distance.
“It’s OK, please take your time,” Ramsey said, the vowels clipped and exposed.
Bel looked across at him, avoiding the camera. Lines of concern crisscrossed his black skin, pulling around his eyes as they fixed on Bel’s, because she was already taking her time, too much, more than she had in the pre-interviews the past few days. He reached up to scratch his temple, right where his dark coiled hair faded out above his ears. Ramsey Lee: filmmaker, director, from South London— a whole world away, and yet here he was in Gorham, New Hampshire, sitting across from her.
Ramsey cleared his throat.
“Um . . . ,” Bel began, choking on that slug. “I don’t know.”
Ramsey sat back, his chair creaking, and Bel knew from the flicker of disappointment in his face that she was doing a bad job. Worse. It must have been the camera. The camera changed things, the permanence of it. One day thousands of people would watch this, separated from her only by the glass of their television screens. They would analyze every word she said, every pause she took, and have something to say about it. They’d study her face: her warm white skin and the flush of her cheeks, her sharp chin that sharpened more when she spoke and especially when she smiled, her short honey-blond hair, her round gray-&…