Musical Dramaturgy in Musical Theatre

Musical Dramaturgy in Musical Theatre discusses the form from the perspective of its most common element: the song. Using a historical approach it surveys how the role of music within a musical theatre structure changed over time, which in turn pushed the function of the score to new dramaturgical levels. After introducing the central idea of musical dramaturgy as one which has a pivotal effect on how musicals are constructed, it considers the principles of musical comedy throughout history and the interplay between the score and libretto. Using early European musicals as a case study it moves on to look at the integrated shows of Rogers and Hammerstein and other Golden Age composers who reframe the dramaturgical structures through the book. It continues to trace the history of the form through a chapter on Rock and concept musicals before finally considering how the Jukebox musical introduced the concept of non-narrative dramaturgy thanks to popular songs. The volume critically reflects on the debates on integration and narration in musical theatre and explores new ways of understanding how musical numbers contribute to the impact and appeal of the stage show. Published in the Topics in Musical Theatre series, it unpacks musical theories in an accessible style that doesn''t rely on specialised musicological knowledge, making it perfect for students, scholars, musical fans, and musical creatives.>

Préface
A short and accessible book that offers a discussion of the various musical theatre genres from the perspective of musical dramaturgy.

Auteur
Nils Grosch holds the chair in Musicology at the University of Salzburg, Austria. He has taught at universities in Basle, Freiburg, Paderborn, Zurich, Detmold and Hanover. His major research interests are music and media, music and migration, and musical theatre. Nils co-heads research projects in the field of popular music history and musical theatre. Nils is co-author and co-editor of The Routledge Handbook of Music and Migration: Theories and Methodologies and contributed to the Oxford Handbook of the Global Musical.

Résumé
Musical Dramaturgy in Musical Theatre discusses the form from the perspective of its most common element: the song. Using a historical approach it surveys how the role of music within a musical theatre structure changed over time, which in turn pushed the function of the score to new dramaturgical levels. After introducing the central idea of musical dramaturgy as one which has a pivotal effect on how musicals are constructed, it considers the principles of musical comedy throughout history and the interplay between the score and libretto. Using early European musicals as a case study it moves on to look at the integrated shows of Rogers and Hammerstein and other Golden Age composers who reframe the dramaturgical structures through the book. It continues to trace the history of the form through a chapter on Rock and concept musicals before finally considering how the Jukebox musical introduced the concept of non-narrative dramaturgy thanks to popular songs. The volume critically reflects on the debates on integration and narration in musical theatre and explores new ways of understanding how musical numbers contribute to the impact and appeal of the stage show. Published in the Topics in Musical Theatre series, it unpacks musical theories in an accessible style that doesn't rely on specialised musicological knowledge, making it perfect for students, scholars, musical fans, and musical creatives.

Contenu
Introduction: Musical dramaturgy 1 - The principles of musical comedy dramaturgy 2 - The spurious de-hierarchization of book and music and the invention of dramaturgical integration 3 - The concept musical and the non-narrative power of gestural music 4 - Conclusion: The musical as Juke-box