Shadows in the Field

Informationen zum Autor Timothy J. Cooley is Associate Professor of Ethnomusicology at the University of California, Santa Barbara, and is the author of Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Musicians. He serves as the editor of Ethnomusicology, the journal of the Society for Ethnomusicology, and is the president of the Society for Ethnomusicology, Southern California Chapter. Gregory Barz is Associate Professor of Ethnomusicology and Anthropology at the Blair School of Music at Vanderbuilt University, and the general editor of the African Soundscapes book series. He serves as African Music editor for the New Grove Dictionary of Music and Musicians and is the author of Singing for Life: HIV/AIDS and Music in Uganda, and Music in East Africa: Experiencing Music, Expressing Culture. Klappentext Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal worldof understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shift the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a definingcharacteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. Zusammenfassung Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures! rather than on the personal worldof understanding! experience! knowing! and doing fieldwork. Shadows in the Field deliberately shift the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a definingcharacteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field! renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all! what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters! a new preface by Bruno Nettl! and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. ...

Auteur
Timothy J. Cooley is Associate Professor of Ethnomusicology at the University of California, Santa Barbara, and is the author of Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Musicians. He serves as the editor of Ethnomusicology, the journal of the Society for Ethnomusicology, and is the president of the Society for Ethnomusicology, Southern California Chapter. Gregory Barz is Associate Professor of Ethnomusicology and Anthropology at the Blair School of Music at Vanderbuilt University, and the general editor of the African Soundscapes book series. He serves as African Music editor for the New Grove Dictionary of Music and Musicians and is the author of Singing for Life: HIV/AIDS and Music in Uganda, and Music in East Africa: Experiencing Music, Expressing Culture.

Texte du rabat

Shadows in the Field was the first book by ethnomusicologists to consider fieldwork as an issue-laden practice, rather than as a methodology requiring a prescriptive manual. The authors in this revised second edition challenge the very notion of fieldwork, its goals, the nature of knowledge gained in fieldwork, and the place of fieldwork in historical studies. Shadows in the Field proposes new perspectives on fieldwork for all ethnographic-driven disciplines, such as ethnomusicology, anthropology, sociology, folklore, area studies and linguistics.

Résumé
Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shift the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition.

Contenu

• Preface

• 1: Timothy J. Cooley and Gregory Barz: Casting Shadows in the Field: Introduction

• 2: Jeff Todd Titon: Knowing Fieldwork

• 3: Timothy Rice: Transformations of the Self in Fieldwork

• 4: Harris M. Berger: Phenomenology and the Ethnography of Popular Music: Ethnomusicology at the Juncture of Cultural Studies and Folklore

• 5: Deborah Wong: Moving: From Performance to Performative Ethnography and Back Again

• 6: Timothy J. Cooley, Katherine Meizel, and Nasir Syed: Virtual Fieldwork

• 7: Jonathan Stock and Chou Chiener: Fieldwork at Home: Asian and European Perspectives

• 8: James Kippen: Working with the Masters

• 9: Kay Kaufman Shelemay: The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition

• 10: Judah Cohen: Shadows in the Classroom: Encountering the Syrian Jewish Research Project Twenty Years Later

• 11: Carol Babiracki: What's the Difference? Reflections on Gender and Research in Village India

• 12: Michelle Kisliuk: (Un)doing Fieldwork: Sharing Songs, Sharing Lives

• 13: Gregory Barz: Confronting the Fieldwork Journal in the Field: Sounds, Music, Voices, and Texts in Dialog…