Performers Rights in Sri Lanka

This book explores whether global music copyright law and the performers' rights regime (PRR) have been able to improve the economic position of artists, as they were originally intended to. The author investigates whether this regime effectively addresses contemporary issues regarding royalty payments and cover songs in Sri Lankan music, drawing on the empirical findings of a case study she conducted on the Sinhala music industry. She finds that the PRR developed internationally and implemented in Sri Lanka is predicated on a particular view of the role of performers and their relationships with other actors in the music industry; although this view can be found in the USA, UK and India, it does not seem to reflect the established practices and relationships within Sri Lanka's contemporary music industry. While providing a socio-historical and legal analysis of these differing industrial settings and investigating the manner in which they impact the PRR's (in)ability to deliver improved economic security for Sinhala singers, the book also offers policymakers recommendations on how to supplement current national copyright law and the PRR in order to provide a secure economic position for music artists in Sri Lanka.

Offers a socio-legal analysis of the use and management of music copyright and performers' rights in relation to improving the economic position of Sinhala singers in Sri Lankan music Provides a historical analysis of international copyright law and the performers' rights regime that contrasts singers' position with that of authors as creators of music Presents a comparative exploration of the ability of international copyright law and the performers' rights regime to meet the expectations of musical artists in the global south (India and Sri Lanka) and global north (the UK and USA)

Auteur
Dr Gowri Nanayakkara is a Senior Lecturer of Intellectual Property Law and Criminal Law at Canterbury Christ Church University and an Honorary Lecturer at the University of Liverpool. Gowri has presented at international peer-reviewed conferences and panels in Canada, the USA, Mexico, Singapore, Italy and Switzerland, as well as many universities in the UK. A member of the Society of Legal Scholars, Gowri has authored several publications in which she explores the socio-economic and cultural implications at the intersection of Copyright Law, Music, IP and Investment Law. Gowri is originally from Sri Lanka, where she completed her primary legal education with Honours at Sri Lanka Law College and subsequently worked as a legal practitioner in the private bar and at the Attorney General's Department. Her postgraduate legal studies were completed at the Queen Mary University of London and the University of Kent, UK.

Texte du rabat

This book explores whether global music copyright law and the performers rights regime (PRR) have been able to improve the economic position of artists, as they were originally intended to. The author investigates whether this regime effectively addresses contemporary issues regarding royalty payments and cover songs in Sri Lankan music, drawing on the empirical findings of a case study she conducted on the Sinhala music industry. She finds that the PRR developed internationally and implemented in Sri Lanka is predicated on a particular view of the role of performers and their relationships with other actors in the music industry; although this view can be found in the USA, UK and India, it does not seem to reflect the established practices and relationships within Sri Lankäs contemporary music industry. While providing a socio-historical and legal analysis of these differing industrial settings and investigating the manner in which they impact the PRR s (in)ability to deliver improved economic security for Sinhala singers, the book also offers policymakers recommendations on how to supplement current national copyright law and the PRR in order to provide a secure economic position for music artists in Sri Lanka.

Contenu

Chapter 1: Separating the singer from the song.- Chapter 2: The Sinhala commercial music industry and its development.- Chapter 3: The emergence and development of the performers' rights regime.- Chapter 4: Issues faced by contemporary commercial singers in Sri Lanka.- Chapter 5: The performers' rights regime: the Sri Lankan vocalists' solution or their concern?.- Chapter 6: Conclusion.