Lamberto, Lamberto, Lamberto

Auteur

The Italian Author Gianni Rodari wrote many beloved children's books and was awarded the prestigious Andersen Prize. But he was also an educator of paramount importance in Italy and an activist who understood the liberating power of the imagination. He is one of the twentieth century's greatest authors for children, and Italy's greatest. Influenced by French surrealism and linguistics, Rodari stressed the importance of poetic language, metaphor, made-up language, and play. At a time when schooling was all about factual knowledge, Rodari wrote The Grammar of Fantasy, a radically imaginative book about storytelling and play. He was a forerunner of writing techniques such as the "fantastic binomial" and the utopian, world engendering "what if...." The relevance of Rodari's works today lies in his poetics of imagination, his humanist yet challenging approach to reality, and his themes, such as war and peace, immigration, injustice, inequality, and liberty. Forty years after his death, Rodari's writing is as powerful and innovative as ever. He died in Rome in 1980.

Texte du rabat

From Gianni Rodari, the father of modern Italian children’s literature, comes a pithy, humorous tale about life and death, health and wealth . . . and bandits and balloons! A refreshed translation from Batchelder Award–winner Antony Shugaar, illustrated with all-new art from Roman Muradov

“Gianni Rodari gave free rein to his imagination, with inspired panache and gleeful lightness. At the same time, he had a precise and meticulous love for detail, for rich and exact language, and so all of his inventions are set in a very concrete world with real form and action.” —Italo Calvino

Baron Lamberto is very old, very rich, and very sick. He lives in a villa on a private island in the middle of Lake Orta, tended to by his trusty butler, Anselmo, who keeps track of the baron’s 24 maladies, 24 banks, and endless eccentricities. After a mysterious trip to Egypt, the baron hires six people to take up residence in the attic of his villa. Their only task? To repeat his name, “Lamberto, Lamberto, Lamberto,” throughout the day. Why? It’s anyone’s guess, but—wonder of wonders—Baron Lamberto does appear to be getting better and better, little by little, day by day. But trouble looms when Lamberto’s nefarious nephew Ottavio enters the scene, scheming up a way to get his hands on the baron’s fortune. And things go from bad to worse when a band of 24 bandits (all named Lamberto, too, by the way) lays siege to the baron’s villa and attempt to hold him for ransom.

In typical Rodarian fashion, Lamberto, Lamberto, Lamberto is a thoroughly enjoyable, deeply thought-provoking read. While it playfully skewers the absurdities of the rich, the bureaucracy, the media, and more, it also encourages readers to liberate their imaginations, to expect the unexpected, and to embrace the kind of possibilities that normally only happen in fairy tales.