Postracial Fantasies and Zombies

Auteur

Eric King Watts is Associate Professor of Communication at Wake Forest University and has published widely on racism and Blackness, including his previous book, Hearing the Hurt: Rhetoric, Aesthetics, and Politics of the New Negro Movement.

Texte du rabat

"With characteristic wit and intellectual rigor, Watts brings us to a new consideration of the postracial through the proliferation of zombie forms across a multitude of genres. Seeing the zombie as a transhistorical entity, he interrogates our predictable understandings of its genesis and asks us to rethink such grounding in the context of thoroughgoing modes of anti-Blackness. By returning us to the undead and their relationship to Blackness, Watts creates an astounding interdisciplinary critique of a popular cultural form."--Sharon P. Holland, author of an other: a black feminist consideration of animal life "Presents an original view of the zombie apocalypse by adding a focus on pandemic politics through the lens of postracism. The book speaks directly to the current political antagonisms and subjectivities unfolding around race and collectivity by interrogating how reactionary forces within contemporary US politics have surfaced against the promises and possibilities of a postracial society."--Patrick D. Murphy, author of The Media Commons: Globalization and Environmental Discourses "Postracial Fantasies and Zombies examines the zombie apocalypse as a rhetorical form that espouses racist fantasies of white masculine sovereignty. Eric King Watts traces the genre of the zombie from its racist colonial origins to its postracial resurgence to highlight the ways racist fantasy materializes into a commonsense rhetoric of white survival."--Ersula Ore, author of Lynching: Violence, Rhetoric, and American Identity "A provocative and intriguing perspective on the current fragmented political culture and an insightful analysis of anti-Blackness as circulated through the persistent figure of the zombie in American popular culture."--Kendall R. Phillips, author of A Place of Darkness: The Rhetoric of Horror in Early American Cinema

Contenu
Contents

Acknowledgments 

Introduction 

1 “Name Something You Know about Zombies” 
2 Haiti’s Postcolonial “Shadows”: The Magic Island and White Zombie 
3 “It Was an Accident. The Whole Movie Was an Accident”: The Perverse Postracial in Night 
of the Living Dead 
4 “Zombies Are Real” 
Conclusion: Blackened Death and Zombie Relations 

Notes 
Bibliography 
Index