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THE NUMBER ONE SUNDAY TIMES BESTSELLER
Forensic archaeologist Dr Ruth Galloway and DCI Harry Nelson are on the hunt for a murderer when Covid rears its ugly head. But can they find the killer despite lockdown?
'GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE' The Times
'INTENSELY ATMOSPHERIC AND GREAT' India Knight
Forensic archaeologist Dr Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: *Dawn, 1963.
Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.
Only then her name wasn't Zoe. It was Dawn.
PRAISE FOR THE LOCKED ROOM
'Intelligent and gripping' Daily Express
'A terrific story' The Times
'This is Griffiths on top form' Mail on Sunday
'Charming from start to finish' Irish Independent
A Sunday Times bestseller w/c 07/02/2022
Préface
Forensic archaeologist Dr Ruth Galloway and DCI Harry Nelson are on the hunt for a murderer when Covid rears its ugly head. But can they find the killer despite lockdown?
Auteur
Elly Griffiths was born in London. She worked in publishing before becoming a full-time writer. Her bestselling series of Dr Ruth Galloway novels, featuring a forensic archaeologist, are set in Norfolk. The series has won the CWA Dagger in the Library, and has been shortlisted three times for the Theakston's Old Peculier Crime Novel of the Year. Her Brighton-based mystery series is set in the 1950s and 1960s. Elly has also written two mysteries featuring Detective Harbinder Kaur, The Stranger Diaries, which was a Richard & Judy bestseller and won America's most coveted accolade for crime fiction, the Edgar Award, and The Postscript Murders. Elly lives near Brighton with her husband, an archaeologist, and their cat, Gus.
Texte du rabat
Ruth Galloway and DCI Nelson are on the hunt for a murderer when Covid rears its ugly head. But can they find the killer despite lockdown?
'GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE' The Times
'SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT' India Knight
Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: Dawn, 1963.
Ruth returns to Norfolk determined to solve the mystery, but then Covid rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. Happily, the house next door is rented by a nice woman called Zoe, who they become friendly with while standing on their doorsteps clapping for carers.
Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.
Only then her name wasn't Zoe. It was dawn.