Long Lost

"In a quietly explosive 90 minutes, the play explores the difficulty of letting go of the past, and how seemingly small cracks in relationships can lead to foundation-shattering destruction."

Auteur

Donald Margulies won the 2000 Pulitzer Prize for Drama for Dinner with Friends and was a finalist twice before for Sight Unseen and Collected Stories. His many other plays, which include The Country House, Shipwrecked! An Entertainment, Brooklyn Boy, the Tony Award-nominated Time Stands Still and the Obie Award-winning The Model Apartment, have been produced on and off-Broadway and in theaters across the United States and around the world. Mr. Margulies has received grants from the National Endowment for the Arts, The New York Foundation for the Arts, and the John Simon Guggenheim Memorial Foundation. He was the recipient of the 2000 Sidney Kingsley Award for Outstanding Achievement in the Theatre by a playwright. In 2005 he was honored by the American Academy of Arts and Letters with an Award in Literature and by the National Foundation for Jewish Culture with its Award in Literary Arts. He was the 2014 recipient of the PEN/Laura Pels International Foundation for Theatre Award for an American Playwright in Mid-Career and the 2015 William Inge Award for Distinguished Achievement in the American Theater. He has developed numerous screenplays, teleplays and pilots for HBO, Showtime, NBC, CBS, Warner Bros., TriStar, Universal, Paramount, and MGM. The film of his screenplay, The End of the Tour, which premiered at the Sundance Film Festival in 2015, was nominated for the Film Independent Spirit Award and the UCLA Scripter Award for Best Screenplay. He is an adjunct professor of English and Theater Studies at Yale University.

Texte du rabat

A gripping new play from the Pulitzer Prize-winning author of Dinner with Friends.

Résumé
When troubled Billy appears out-of-the-blue in his estranged brother David’s Wall Street office, he soon tries to re-insert himself into the comfortable life David has built with his philanthropist wife and college-age son. What does Billy really want? Can he be trusted? And how much can family bonds smooth over past rifts? A funny, unsettling, ultimately moving play about the limits of compassion and filial obligation.