The Beats

This book offers a concise overview of the social, cultural, and aesthetic sensibilities of the Beat Generation, explaining how their drastic visions and radical styles challenged postwar America's dominant values in ways that can still be felt in literature, cinema, music, theatre, and the visual arts.

Informationen zum Autor Professor Emeritus of Theatre and Film, Long Island University; Chair, National Society of Film Critics; Adjunct Professor, School of the Arts, Columbia University; and Adjunct Professor of Art History, Maryland Institute College of Art Klappentext This book offers a concise overview of the social, cultural, and aesthetic sensibilities of the Beat Generation, explaining how their drastic visions and radical styles challenged postwar America's dominant values in ways that can still be felt in literature, cinema, music, theater, and the visual arts. Zusammenfassung In the late 1950s and early 1960s, the Beat Generation writers revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time--particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's Howl (1956), and William S. Burroughs's Naked Lunch (1959). This volume offers a concise overview of the social, cultural, and aesthetic sensibilities of the Beats, bringing out the similarities that connected them and also the many differences that made them a loosely knit collective rather than an organized movement. Principal figures in the saga include Neal Cassady, Gregory Corso, Lawrence Ferlinghetti, John Clellon Holmes, Carolyn Cassady, and Gary Snyder; locations range from Greenwich Village and San Francisco to Mexico, western Europe, and North Africa; topics include Beat approaches to literature, drugs, sexuality, art, music, and religion.Members of the Beat Generation hoped that their radical rejection of materialism, consumerism, and regimentation would inspire others to purify their lives and souls as well; yet they urged the remaking of consciousness on a profoundly inward-looking basis, cultivating "the unspeakable visions of the individual," in Kerouac's phrase. The idea was to revolutionize society by revolutionizing thought, not the other way around. This book explains how the Beats used their drastic visions and radical styles to challenge dominant values, fending off absorption into mainstream culture while preparing ground for the larger, more explosive social upheavals of the 1960s. More than half a century later, the Beats' impact can still be felt in literature, cinema, music, theater, and the visual arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Inhaltsverzeichnis List of illustrations Preface Ch. 1: Origins and essences Ch. 2: Beats, beatniks, bohemians, and all that jazz Ch. 3: The writers and the books Ch. 4: The Beats and popular culture Ch. 5: The Beat legacy References Further reading Index ...

Auteur
Professor Emeritus of Theatre and Film, Long Island University; Chair, National Society of Film Critics; Adjunct Professor, School of the Arts, Columbia University; and Adjunct Professor of Art History, Maryland Institute College of Art

Résumé
In the late 1950s and early 1960s, the Beat Generation writers revolutionized American literature with their iconoclastic approach to language and their angry assault on the conformity and conservatism of postwar society. They and their followers took aim at the hypocrisy and taboos of their time--particularly those involving sex, race, and class - in such provocative works as Jack Kerouac's On the Road (1957), Allen Ginsberg's Howl (1956), and William S. Burroughs's Naked Lunch (1959). This volume offers a concise overview of the social, cultural, and aesthetic sensibilities of the Beats, bringing out the similarities that connected them and also the many differences that made them a loosely knit collective rather than an organized movement. Principal figures in the saga include Neal Cassady, Gregory Corso, Lawrence Ferlinghetti, John Clellon Holmes, Carolyn Cassady, and Gary Snyder; locations range from Greenwich Village and San Francisco to Mexico, western Europe, and North Africa; topics include Beat approaches to literature, drugs, sexuality, art, music, and religion. Members of the Beat Generation hoped that their radical rejection of materialism, consumerism, and regimentation would inspire others to purify their lives and souls as well; yet they urged the remaking of consciousness on a profoundly inward-looking basis, cultivating "the unspeakable visions of the individual," in Kerouac's phrase. The idea was to revolutionize society by revolutionizing thought, not the other way around. This book explains how the Beats used their drastic visions and radical styles to challenge dominant values, fending off absorption into mainstream culture while preparing ground for the larger, more explosive social upheavals of the 1960s. More than half a century later, the Beats' impact can still be felt in literature, cinema, music, theater, and the visual arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Contenu

• List of illustrations

• Preface

• Ch. 1: Origins and essences

• Ch. 2: Beats, beatniks, bohemians, and all that jazz

• Ch. 3: The writers and the books

• Ch. 4: The Beats and popular culture

• Ch. 5: The Beat legacy

• References

• Further reading

• Index