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Comprising nine original essays by specialists in material culture, book history,
literary criticism and curatorial and archival studies, this co-edited volume
addresses a wide range of Brontë's writingfrom vignettes composed during her
teenage years (The Tea Party and The Secret) to completed novels ( The
Professor , Jane Eyre , Shirley and Villette ) and unfinished works (Ashworth and
Emma). In bringing to life the surprising array of embodied experiences that
shaped Brontë's creative practice (from writing to book-making, painting, and
drawing), Charlotte Brontë, Embodiment and the Material World forges new
connections between historical, material, and textual approaches to the author's
work.
Contributes to the material turn in Victorian studies and to new approaches to sensation and embodiment Looks at the relationship between literary interpretation and historical analysis of the objects she created, handled, and wore Demonstrates how her once physical embodiment continues to haunt her place within the literary canon and popular imagination
Auteur
Justine Pizzo is a Lecturer in English at the University of Southampton, UK. Her book
project, provisionally titled "The Character of Climate: Woman and Atmosphere
in Victorian Fiction," examines how aerial climates shape female characterization
in mid-nineteenth and early twentieth-century novels. Her essays on Charlotte
Brontë have appeared in PMLA and in a volume on Climate and Literature (ed. Johns-Putra,
2019) published by Cambridge University Press.
Eleanor Houghton read English at the University of Oxford, UK, before being awarded a Wolfson Postgraduate Scholarship in the Humanities at the University of Southampton, UK. She has recently completed her doctoral thesis "Charlotte Brontë, 'Plainness' and the Language of Dress" and works as costume consultant and historical advisor for the Brontë Parsonage Museum, UK, and the BBC.
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