Derek Jarmans Visionary Arts

Derek Jarman''s place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. In this first book-length study, Michael Charlesworth sheds light on the varied ramifications of Jarman''s artistic practice from his years at Prospect Cottage, Dungeness, and his interest in depth psychology. He draws on Jarman''s paintings, especially his landscapes from the 1960s and 70s, his multiple series such as ''black'' and ''broken glass'', , Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman''s excellence as a writer with respect to his memoir, Kicking the Pricks. Selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative, amounting to a novel approach to Jarman''s cinema. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman''s varied works, Derek Jarman''s Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.>

Auteur
Michael Charlesworth is Emeritus Professor in the Department of Art and Art History at the University of Texas at Austin, USA.

Contenu

Introduction 1. The Garden at Prospect Cottage, Prehistory, and Earlier Works in Painting and Film 2. "The Landscape Is In Crisis": Jarman and the Environment 3. The Garden 4. Depth in Colour: Yellow, Gold, Black, and Blue 5. Depth Psychology in Film: Caravaggio and Super-8 6. Word & Image in Kicking The Pricks 7. The Garden at Prospect Cottage as Protection and Defence Index Bibliography