The Oxford Handbook of Music Revival

Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal.

Informationen zum Autor Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony. Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival. Klappentext Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Zusammenfassung Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Inhaltsverzeichnis Table of Contents I. Towards Multiple Theories of Music Revival 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change Juniper Hill and Caroline Bithell 2. Traditional Music, Heritage Music Owe Ronström 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking Tamara Livingston II. Scholars and Collectors as Revival Agents 4. Antiquarian Nostalgia and the Institutionalization of Early Music John Haines 5. A Folklorist's Exploration of the Revival Metaphor Neil V. Rosenberg 6. A Participant-Documentarian in the American Instrumental Folk Music Revival Alan Jabbour III. Intangible Cultural Heritage, Preservation, and Policy 7. Reviving Korean Identity through Intangible Cultural Heritage Keith Howard 8. Music Revival, Ca Trù Ontologies and Intangible Cultural Heritage in Vietnam Barley Norton 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music Colin Quigley IV. National Renaissance and Postcolonial Futures 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival Margaret Walker 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010 Hélène Neveu Kringelbach 12. Revived Musical Practices within Uzbekistan's Evolving National Project Tanya Merchant 13. Two Revivalist Moments in Iranian Classical Music Laudan Nooshin 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival Victoria Levine V. Recovery from War, Disaster, and Cultural Devastation 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia Naila Ceribai? 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna Annemarie Gallaugher 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect Margaret Kartomi VI. Innovations and Transformations 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals Juniper Hill 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicália Denise Milstein 20. Bending or Breaking the Native American Flute Tradition? Paula Conlon 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals Britta Sweers VII. Festivals, Marketing, and Media 22. Contemporary English Folk Music a...

Auteur
Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony. Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival.

Contenu

• Table of Contents

• I. Towards Multiple Theories of Music Revival

• 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change

• Juniper Hill and Caroline Bithell

• 2. Traditional Music, Heritage Music

• Owe Ronström

• 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking

• Tamara Livingston

• II. Scholars and Collectors as Revival Agents

• 4. Antiquarian Nostalgia and the Institutionalization of Early Music

• John Haines

• 5. A Folklorist's Exploration of the Revival Metaphor

• Neil V. Rosenberg

• 6. A Participant-Documentarian in the American Instrumental Folk Music Revival

• Alan Jabbour

• III. Intangible Cultural Heritage, Preservation, and Policy

• 7. Reviving Korean Identity through Intangible Cultural Heritage

• Keith Howard

• 8. Music Revival, Ca Trù Ontologies and Intangible Cultural Heritage in Vietnam

• Barley Norton

• 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music

• Colin Quigley

• IV. National Renaissance and Postcolonial Futures

• 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival

• Margaret Walker

• 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010

• Hélène Neveu Kringelbach

• 12. Revived Musical Practices within Uzbekistan's Evolving National Project

• Tanya Merchant

• 13. Two Revivalist Moments in Iranian Classical Music

• Laudan Nooshin

• 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival

• Victoria Levine

• V. Recovery from War, Disaster, and Cultural Devastation

• 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia

• Naila Ceribai?

• 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna

• Annemarie Gallaugher

• 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect

• Margaret Kartomi

• VI. Innovations and Transformations

• 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals

• Juniper Hill

• 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicália

• Denise Milstein

• 20. Bending or Breaking the Native American Flute Tradition?

• Paula Conlon

• 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals

• Britta Sweers

• VII. Festivals, Marketing, and Media

• 22. Contemporary English Folk Music and the Folk Industry

• Simon Keegan-Phipps and Trish Winter

• 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity

• Adriana Helbig

• 24. Trailing Images and Culture Branding …