Transmedia Theatre Plays

Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible, and what was even ''theatre''. Due to the global pandemic, an exceptional and wide range of works made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future. Gathered in this collection are pieces adapted or made for podcast theatre, livestream illusionist interactive performance, audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art, multi-location broadcast plays, providing an accessible introduction to ''Transmedia'' theatre. Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting, and accessible method by which theatre-makers could share their work and also challenge their own practices. While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms. For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.

Auteur
Caridad Svich is a playwright, associate editor of Contemporary Theatre Review and founder of NoPassport theatre alliance and press. She received a 2012 OBIE Award for Lifetime Achievement and the 2011 American Theatre Critics Association Primus Prize for The House of the Spirits.She has edited several books on theatre including Audience Revolution and Innovation in Five Acts (2016 and 2015), Out of Silence: Censorship in Theatre & Performance (2014), and Trans-Global Readings (2004).

Contenu

Introduction
The Present by Helder Guimaraes (Portugal/US)
To Be a Machine by Dead Centre (Ireland)
Odds On by Dante or Die (UK)
T.M. by Ontroerend Goed (Netherlands)
Can I Live? By Fehinti Balogun (UK)
I Hate it Here by Ike Holter (US)
I am Sending You the Sacred Face by Heather Christian (US)
White Tuesday by Eve Leigh (UK/US)
Every Dollar is a Soldier/with money you're a dragon by Daniel York Loh (UK)