The Political Uses of Literature

Informationen zum Autor Benjamin Kohlmann is Professor of English at Regensburg University, Germany, and author of Committed Styles: Modernism Politics and Left-Wing Literature (2014) and British Literature and the Life of Institutions: Speculative States (2021). His co-edited volumes include A History of 1930s British Literature (2019; TLS Books of the Year). Ivana Perica is Marie Jahoda Scholar at the University of Vienna, Austria, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016). Klappentext Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment. The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literature's ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions - including case studies from the Americas, Europe, Africa, India and Russia - contributors advance critical discussions in the field, making questions pertaining to politicized art newly compelling to a broader and more diverse readership. Most importantly, this volume insists on the need to think about literature's political uses today - at a time when it has become increasingly difficult to imagine any kind of political efficacy for art, even as the need to do so is growing more and more acute. Literature may not proffer easy answers to our political problems, but as this collection suggests, the writing of the 20th century holds out aesthetic resources for a renewed engagement with the dilemmas that face us now. Vorwort Analyses the rich global histories of 20th- and 21st-century politicized writing in order to provoke new debate about the complex intersections between literature and political action. Zusammenfassung Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment. The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literature's ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions including case studies from the Americas, Europe, Africa, India and Russia contributors adva...

Kohlmann and Perica's edition offers a most welcome resource, in one volume, shoring up the contemporary in relation to prior understandings of the 'political uses' of literature. Portable, and providing expert (suitably targeted) coverage, The Political Uses of Literature leads its emerging field by virtue of effective consolidation.

Préface
Analyses the rich global histories of 20th- and 21st-century politicized writing in order to provoke new debate about the complex intersections between literature and political action.

Auteur
Benjamin Kohlmann is Professor of English at Regensburg University, Germany, and author of Committed Styles: Modernism Politics and Left-Wing Literature (2014) and British Literature and the Life of Institutions: Speculative States (2021). His co-edited volumes include A History of 1930s British Literature (2019; TLS Books of the Year). Ivana Perica is Marie Jahoda Scholar at the University of Vienna, Austria, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016).

Texte du rabat

Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment. The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literature's ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions - including case studies from the Americas, Europe, Africa, India and Russia - contributors advance critical discussions in the field, making questions pertaining to politicized art newly compelling to a broader and more diverse readership. Most importantly, this volume insists on the need to think about literature's political uses today - at a time when it has become increasingly difficult to imagine any kind of political efficacy for art, even as the need to do so is growing more and more acute. Literature may not proffer easy answers to our political problems, but as this collection suggests, the writing of the 20th century holds out aesthetic resources for a renewed engagement with the dilemmas that face us now.

Contenu
List of Illustrations Introduction Ivana Perica (University of Vienna, Austria) and Benjamin Kohlmann (University of Regensburg, Germany) Part I: Revolution, Internationalism and Literary Politics: Interwar Paradigms 1. Marxists Out of Work: Literature and the Useless in Interwar India Benjamin Conisbee Baer (Princeton University, USA) 2. Politics and Literature on the Peruvian Periphery: Realism and Experimentation in the Works of César Vallejo and José Carlos Mariátegui Juan E. De Castro (The New School, USA) 3. Reusing Artaud? On the Contemporaneity of Messages révolutionnaires (1936) Sandra Fluhrer (Freie Universität Berlin, Germany, and University of California-Berkeley, USA) 4. On the German Popular Front and the Novel in Historical and International Context Hunter Bivens (University of California-Santa Cruz, USA) 5. Narrative Struggle: "Good" and "Bad" Uses of Literature in the Committed Novel of the 1930s (Aragon, Dos Passos) Aurore Peyroles (University of Regensburg, Germany) 6. Moscow, 1934 Yan'an, 1942: The Manifesto as Lived Experience *Steven Lee (Univer…