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Informationen zum Autor Art Spiegelman has been a staff artist and contributing editor at the New Yorker , as well as the cofounder/coeditor of RAW , the acclaimed magazine of avant-garde comics and graphics. In addition to Maus - which was awarded the Pulitzer Prize and twice nominated for the National Book Critics Circle Award - he is the author of Breakdowns and In the Shadow of No Towers. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters. He lives in New York City with his wife, Françoise Mouly, and a cat named Voodoo. Klappentext Art Spiegelman is a contributing editor and artist for the New Yorker . His drawings and prints have been exhibited in museums and galleries around the world. He won the Pulitzer Prize for Maus ! which was also nominated for the National Book Critics Award. He lives in New York. Zusammenfassung The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him 'The first masterpiece in comic book history' The New Yorker Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits, studying the bloody pawprints of history and tracking its meaning for those who come next. HAILED AS THE GREATEST GRAPHIC NOVEL OF ALL TIME, THIS COMBINED, DEFINITIVE EDITION INCLUDES MAUS I: A SURVIVOR'S TALE AND MAUS II . _ 'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal 'A brutally moving work of art' Boston Globe 'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik 'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman 'A capital-G Genius' Michael Chabon ...
Auteur
Art Spiegelman has been a staff artist and contributing editor at the New Yorker, as well as the cofounder/coeditor of RAW, the acclaimed magazine of avant-garde comics and graphics. In addition to Maus - which was awarded the Pulitzer Prize and twice nominated for the National Book Critics Circle Award - he is the author of Breakdowns and In the Shadow of No Towers. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters. He lives in New York City with his wife, Françoise Mouly, and a cat named Voodoo.
Texte du rabat
Art Spiegelman is a contributing editor and artist for the New Yorker. His drawings and prints have been exhibited in museums and galleries around the world. He won the Pulitzer Prize for Maus, which was also nominated for the National Book Critics Award. He lives in New York.
Résumé
*The first and only graphic novel to win the Pulitzer Prize, *MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits, studying the bloody pawprints of history and tracking its meaning for those who come next.
HAILED AS THE GREATEST GRAPHIC NOVEL OF ALL TIME, THIS COMBINED, DEFINITIVE EDITION INCLUDES MAUS I: A SURVIVOR'S TALE AND MAUS II.
_
'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal
'A brutally moving work of art' Boston Globe
'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik
'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman
'A capital-G Genius' Michael Chabon