Sculpting in Time

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity.

Zusammenfassung Sets down the author's thoughts and his memories! revealing for the original inspirations for his films - Ivan's Childhood! Andrey Rublyov! Solaris! The Mirror! Stalker! Nostalgia! and The Sacrifice. The author discusses their history and his methods of work! and he explores the many problems of visual creativity. Klappentext Hailed by Ingmar Bergman as "the most important director of our time!" Andrey Tarkovsky here reveals the original inspirations for his extraordinary films Inhaltsverzeichnis Introduction I: The beginning II: Art - a yeaming for the ideal III: Imprinted time IV: Cinema's destined role V: The film image: Time! rhythm and editing; Scenario and shooting script; The film's graphic realisation; The film actor; Music and noisesVI: The author in search of an audience VII: The artist's responsibility VIII: After Nostalgia IX: The Sacrifice Conclusion Notes

Auteur

By Andrey Tarkovsky

Texte du rabat

In Sculpting in Time, Andrey Tarkovsky has left his artistic testament, a remarkable revelation of both his life and work. He sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.

Résumé
Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.

Contenu

IntroductionChapter I: The beginningChapter II: Art—a yeaming for the idealChapter III: Imprinted timeChapter IV: Cinema's destined roleChapter V: The film image

• Time, rhythm and editing
• Scenario and shooting script
• The film's graphic realisation
• The film actor
• Music and noisesChapter VI: The author in search of an audienceChapter VII: The artist's responsibilityChapter VIII: After NostalgiaChapter IX: The SacrificeConclusionNotes