Writing Plague

Writing Plague: Language and Violence from the Black Death to COVID-19 brings a holistic and comparative perspective to plague writing from the later Middle Ages to the twenty-first century. It argues that while the human hardware has changed enormously between the medieval past and the present (urbanization, technology, mass warfare, and advances in medical science), the human software (emotional and psychological reactions to the shock of pandemic) has remained remarkably similar across time. Through close readings of works by medieval writers like Guillaume de Machaut, Giovanni Boccaccio, and Geoffrey Chaucer in the fourteenth century, select plays by Shakespeare, and modern plague fiction and film, Alfred Thomas convincingly demonstrates psychological continuities between the Black Death and COVID-19. In showing how in times of plague human beings repress their fears and fantasies and displace them onto the threatening other, Thomas highlights the danger of scapegoating vulnerable minority groups such as Asian Americans and Jews in today's America. This wide-ranging study will thus be of interest not only to medievalists but also to students of modernity as well as the general reader.

Argues that reactions to pandemics between the middle ages and the present have largely remained the same Analyzes the current resurgence of anti-semitism while also examining a history of violence towards minorities Traces a transhistorical and transcultural pandemic discourse

Auteur
Alfred Thomas is Professor of English at the University of Illinois at Chicago, USA. He has published ten books on various aspects of European and English literature from the later Middle Ages to Shakespeare.

Texte du rabat

Writing Plague: Language and Violence from the Black Death to COVID-19 brings a holistic and comparative perspective to "plague writing" from the later Middle Ages to the twenty-first century. It argues that while the human "hardware" has changed enormously between the medieval past and the present (urbanization, technology, mass warfare, and advances in medical science), the human "software" (emotional and psychological reactions to the shock of pandemic) has remained remarkably similar across time. Through close readings of works by medieval writers like Guillaume de Machaut, Giovanni Boccaccio, and Geoffrey Chaucer in the fourteenth century, select plays by Shakespeare, and modern "plague" fiction and film, Alfred Thomas convincingly demonstrates psychological continuities between the Black Death and COVID-19. In showing how in times of plague human beings repress their fears and fantasies and displace them onto the threatening "other," Thomas highlights the danger of scapegoating vulnerable minority groups such as Asian Americans and Jews in today's America. This wide-ranging study will thus be of interest not only to medievalists but also to students of modernity as well as the general reader.

Contenu

1. Introduction: Language and Violence from the Black Death to COVID-19.- 2. The Pardoner, the Prioress, and the Pandemic: Jews and Other Scapegoats in Fourteenth-Century European Culture.- 3. Death and the Maiden: Mourning and Melancholy in Pearl and the Late Medieval European Elegy.- 4. The Plague's The Thing: Pandemic and Religious Politics in Shakespeare's Drama.- 5. The Brown Plague and the White Sickness: Fascism and the Crisis of Democracy in Twentieth-Century Plague Fiction and Film.- 6. Conclusion.