Fewer, Better Things

Things matter. So why are we losing touch with them?From the former director of the Museum of Arts and Design in New York comes a timely and passionate case for the role of the well-designed object in the digital age. In this delightful exploration of craft in its many forms, curator and scholar Glenn Adamson explores how raw materials, tools, design and technique come together to produce objects of beauty and utility. A thoughtful meditation on the value of care and attention in an age of disappearing things, F r, Better Things invites us to reconnect with the physical world and its objects.

Auteur

Glenn Adamson is a senior scholar at the Yale Center for British Art and works across the fields of design, craft, and contemporary art. Until March 2016 he was the director of the Museum of Arts and Design in New York and has been head of research at the Victoria and Albert Museum, and curator at the Chipstone Foundation in Milwaukee. His books include Art in the Making (coauthored with Julia Bryan-Wilson) and The Craft Reader, among others. He lives in Brooklyn, New York.

Texte du rabat

Things matter. So why are we losing touch with them? From the former director of the Museum of Arts and Design in New York comes a timely and passionate case for the role of the well-designed object in the digital age. In this delightful exploration of craft in its many forms, curator and scholar Glenn Adamson explores how raw materials, tools, design and technique come together to produce objects of beauty and utility. A thoughtful meditation on the value of care and attention in an age of disappearing things, Fewer, Better Things invites us to reconnect with the physical world and its objects.