The Body of the Musician

The Sangtaratnkara («The Ocean of Music») written by rngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (yurveda) such as Caraka, Suruta and Vgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations.

Auteur

Makoto Kitada studied linguistics and indology at Tokyo and Halle Universities. Since 2011 he lectures at Osaka University (Section for Urdu). Makoto Kitada is a research fellow of the Eastern Institute, Tokyo. His research interests are South Asian languages and literature, such as Urdu, Bengali, and Sanskrit. He plays Hindustani music (Sarod) and is interested in the musical aspect of oral literature.

Texte du rabat

The Sangitaratnakara («The Ocean of Music») written by Sarngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Ayurveda) such as Caraka, Susruta and Vagbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purana). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations.

Résumé
«[...] Kitada s work is distinguished not only by formidable scholarship but also sharp critical judgment. This will be a book to be used by all serious scholars of musicology and choreology as well as biology in the Sanskritic tradition.»
(Mandakranta Bose, Orientalische Literaturzeitung 112/2017)

Contenu
Contents: Sagtaratnkara (SR) and its Piotpatti-prakaraa ivagt (G), the text parallel to the SR's embryologico-anatomical verses The sources of the SR. Common source text of SR and G Comparison with medical (yurveda) and non-medical texts Anatomical theory of vocal manifestation by Indian ancient musicologists Embryology in musicological works.