Informationen zum Autor By Chris Taylor and Bill Gilbert Klappentext A wide-ranging exploration of human interactions with the land over thousands of years, as well as a model for teaching art and design in the field. Zusammenfassung A wide-ranging exploration of human interactions with the land over thousands of years, as well as a model for teaching art and design in the field. Inhaltsverzeichnis Acknowledgments Introduction Practicing Land Arts: Learning to Learn Muley Point Double Negative Great Basin Geomorphology Land Mark Making by William L. Fox Lake Mead Practicing Land Arts: Field Trials Bosque del Apache El Vado Lake A Native American Sense of Place: Tending the Roots of Culture; An Interview with Mary Lewis Garcia Spiral Jetty The Problem of Return by Ann Reynolds Practicing Land Arts: On Site, Part One Bisti/De-Na-Zin Wilderness Chaco Canyon Chaco Canyon and the Interactions of Nature, Culture, Art, and History by J. J. Brody Roden Crater Wupatki CLUI-Wendover Out There with the Center for Land Use Interpretation: An Interview with Matthew Coolidge Very Large Array Deming Practicing Land Arts: On Site, Part Two Colorado Plateau Geomorphology Tipover Canyon The Lightning Field Turkey Springs Chihuahuan Desert Geomorphology Marfa Boquillas Canyon Juan Mata Ortiz Ollas, vacas, y ferocarriles: Una conversación en el vado; Una entrevista con Héctor Gallegos y Graciela Martínez de Gallegos Pots, Cows, and Trains: A Conversation at the Crossing; An Interview with Héctor Gallegos and Graciela Martínez de Gallegos Cebolla Canyon Practicing Land Arts: Parallel Practices Anaya Spring Peripheral Vision by Lucy R. Lippard Apache Creek San Rafael Swell Sun Tunnels Otero Mesa Blue Notch Practicing Land Arts: Future Directions All insets by Amanda Douberley Land Arts of the American West: Program History Land Arts of the American West: Bibliography Photo Credits Index

Autorentext

By Chris Taylor and Bill Gilbert

Klappentext

A wide-ranging exploration of human interactions with the land over thousands of years, as well as a model for teaching art and design in the field.

Inhalt

Acknowledgments
Introduction
Practicing Land Arts: Learning to Learn
Muley Point
Double Negative
Great Basin Geomorphology
Land Mark Making by William L. Fox
Lake Mead
Practicing Land Arts: Field Trials
Bosque del Apache
El Vado Lake
A Native American Sense of Place: Tending the Roots of Culture; An Interview with Mary Lewis Garcia
Spiral Jetty
The Problem of Return by Ann Reynolds
Practicing Land Arts: On Site, Part One
Bisti/De-Na-Zin Wilderness
Chaco Canyon
Chaco Canyon and the Interactions of Nature, Culture, Art, and History by J. J. Brody
Roden Crater
Wupatki
CLUI-Wendover
Out There with the Center for Land Use Interpretation: An Interview with Matthew Coolidge
Very Large Array
Deming
Practicing Land Arts: On Site, Part Two
Colorado Plateau Geomorphology
Tipover Canyon
The Lightning Field
Turkey Springs
Chihuahuan Desert Geomorphology
Marfa
Boquillas Canyon
Juan Mata Ortiz
Ollas, vacas, y ferocarriles: Una conversación en el vado; Una entrevista con Héctor Gallegos y Graciela Martínez de Gallegos
Pots, Cows, and Trains: A Conversation at the Crossing; An Interview with Héctor Gallegos and Graciela Martínez de Gallegos
Cebolla Canyon
Practicing Land Arts: Parallel Practices
Anaya Spring
Peripheral Vision by Lucy R. Lippard
Apache Creek
San Rafael Swell
Sun Tunnels
Otero Mesa
Blue Notch
Practicing Land Arts: Future Directions
All insets by Amanda Douberley
Land Arts of the American West: Program History
Land Arts of the American West: Bibliography
Photo Credits
Index