Such Stuff as Dreams

Such Stuff as Dreams: The Psychology of Fiction explores how
fiction works in the brains and imagination of both readers and
writers.

• Demonstrates how reading fiction can contribute to a greater
  understanding of, and the ability to change, ourselves

• Informed by the latest psychological research which focuses on,
  for example, how identification with fictional characters occurs,
  and how literature can improve social abilities

• Explores traditional aspects of fiction, including character,
  plot, setting, and theme, as well as a number of classic
  techniques, such as metaphor, metonymy, defamiliarization, and
  cues

• Includes extensive end-notes, which ground the work in
  psychological studies

• Features excerpts from fiction which are discussed throughout
  the text, including works by William Shakespeare, Jane Austen, Kate
  Chopin, Anton Chekhov, James Baldwin, and others

Autorentext
Keith Oatley is Professor Emeritus of Cognitive Psychology at the University of Toronto. He is the co-author of Understanding Emotions (Blackwell, 2006), the most widely used textbook on this subject, and has written three works of fiction, including The Case of Emily V. (1993), which won the 1994 Commonwealth Writers' Prize for Best First Novel.

Klappentext
When we read fiction, we mentally create events and scenes from the words offered on the page by the author. Why is this such a pleasurable experience? Such Stuff as Dreams: The Psychology of Fiction explores how fiction works in the brains and imagination of both readers and writers. Drawing on an idea originally developed by a variety of historical literary figures including William Shakespeare, in this ground-breaking work Oatley richly illustrates how fiction is not simply a slice of life, pure entertainment, or an escape from everyday reality. While it does indeed incorporate many of these elements, at its core fiction represents a guided dream, a model that readers construct in collaboration with the writer. This waking dream not only enables us to see ourselves and others more clearly, but offers us revealing glimpses beneath the surface of the everyday world.

The book considers topics such as fiction's ability to create vividly emotive experiences; issues of empathy and identification; creativity and externalizations of the mind utilized by writers of prose fiction; and the various effects of fiction on individual readers. Throughout the book, excerpts from fiction are also featured and discussed, including works by William Shakespeare, Jane Austen, Kate Chopin, Anton Chekhov, and James Baldwin. Informed by deep scholarly rigor, Such Stuff as Dreams is an illuminating and thought-provoking analysis of the transformative power of fiction to enter and engage the mind into revealing profound insights about ourselves and those around us.

Zusammenfassung
Such Stuff as Dreams: The Psychology of Fiction explores how fiction works in the brains and imagination of both readers and writers.

• Demonstrates how reading fiction can contribute to a greater understanding of, and the ability to change, ourselves
• Informed by the latest psychological research which focuses on, for example, how identification with fictional characters occurs, and how literature can improve social abilities
• Explores traditional aspects of fiction, including character, plot, setting, and theme, as well as a number of classic techniques, such as metaphor, metonymy, defamiliarization, and cues
• Includes extensive end-notes, which ground the work in psychological studies
• Features excerpts from fiction which are discussed throughout the text, including works by William Shakespeare, Jane Austen, Kate Chopin, Anton Chekhov, James Baldwin, and others

Inhalt
Preface. Acknowledgments.

1 Fiction as dream: Models, world-building, simulation.

2 The space-in-between: Childhood play as the entrance to fiction.

3 Creativity: Imagined worlds.

4 Character, action, incident: Mental models of people and their doings.

5 Emotions: Scenes in the imagination.

6 Writing fiction: Cues for the reader.

7 Effects of fiction: Is fiction good for you?

8 Talking about fiction: Interpretation in conversation.

Endnotes.

Bibliography.

Name Index.

Subject Index.