The Problem with the Influence of the Moving Image in Society Today, the Alter-Modern and the Disappearance of a Focus on the Internal

Scientific Essay from the year 2016 in the subject Communications - Media History, , course: N/A, language: English, abstract: Since the early twentieth century, civilization's obsession with the moving image has helped it to go backwards instead of forwards. Because of the nature of the way moving images are proliferated especially during our present age of digital expansion, the past and the history of the past produce a cultural amnesia which creates a misperception that we are greatly ahead of our past. Much of this is because our continuous fascination with the moving image has undermined and effaced a Modernist reasoning which had been more concerned with searching for an internal depth in objects and things which were reflected in the human being. As a result of our visual thirst for the moving image which takes us away from this, we now live in a situation void of causal reasoning which makes it very easy for very little reason, or difficult, for well-justified reasoning to exist since our thirst and addiction to the moving image has seen a spiritual shift away from the search of internal value and meaning that has been tied to our culture and cultural perceptions. By tracing civilization's obsession with the Classical which it had once used as a 'steadying metaphor' the paper attempts to explain some of the influences that have made us lose our focus on the importance of the internal and offers to explain why we are now more than ever before bereft of a focus for searching for the internal depth that exists within people, objects and things.

Autorentext

Cyrus Manasseh is a guitarist, philosopher and musicologist. He teaches in universities and privately as a higher education consultant. Prof. Cyrus Manasseh PhD is also a Freelance Researcher and author of the books 'The Lead Guitarist'; 'The Island Library'; and 'The Problematic of Video Art in the Museum 1968-90'. He is an international scholar and has presented his ideas in a number of countries. He is author of numerous essays and scientific articles in the field of art history, film, music. architecture, video, museums, evolving media and theatre-drama. His published essays and articles include: 'The Words of Gandhi and How the Libertarian Collectivist Anti-individualistic Post-Modern Turn has Shaped our World,' 'Against Roland Barthes. Why Ibsen's "A Doll's House" is Not a Feminist Text, but a Humanist one,' 'Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth,' 'Cinema and Mass Media in Modernity. Walter Benjamin and the Reproducible Image,' 'The Problem with the Influence of the Moving Image in Society Today, the Alter-Modern and the Disappearance of a Focus on the Internal', The Art Museum in the 19th Century J. J. Winckelmann's Influence on the Establishing of the Classical Paradigm of the Art Museum; Art without the Aesthetic? Defining Conceptual & Post-Conceptual Practices'; 'Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel' and many others. He has presented his research at international academic forums in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and has taught extensively in Italian, Irish and Australian Universities and Colleges. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay 'An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film'. He is particularly focused on the problematic of post-modernism for culture and society. His novels 'The Lead Guitarist' and 'The Island Library' are currently available.